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Mad Eyes, Haiti
View through The Met
Gelatin silver print
Photographs, Metropolitan Museum of Art New York NY, Gift of Joyce F. Menschel 2022
Related Results
A man seated in a chair on a stepped platform holds an audience, two pointing men stand in the foreground, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, o
A man seated in a chair on a stepped platform holds an audience, two pointing men stand in the foreground, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, o
Etching with engraving, Five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day or the marriage of Figaro' (La Folle journée ou le mariage de Figaro) b...
Dancing couples surround four standing women in a barrel-vaulted hall, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Au
Dancing couples surround four standing women in a barrel-vaulted hall, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Au
Etching with engraving, Five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day or the marriage of Figaro' (La Folle journée ou le mariage de Figaro) b...
A young boy holds a torch under trees in a garden, at center a man raises both arms, surrounded by male and female figures, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La
A young boy holds a torch under trees in a garden, at center a man raises both arms, surrounded by male and female figures, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La
Etching with engraving, Five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day or the marriage of Figaro' (La Folle journée ou le mariage de Figaro) b...
A man leans toward a woman standing in a doorway at right, at left a seated woman raises both hands, a canopied bed beyond, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La
A man leans toward a woman standing in a doorway at right, at left a seated woman raises both hands, a canopied bed beyond, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La
Etching with engraving, Five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day or the marriage of Figaro' (La Folle journée ou le mariage de Figaro) b...
A man curled up in a chair looks toward another man who approaches him from the left in an interior setting, a woman and a man stand nearby with their hands raised, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'Th
A man curled up in a chair looks toward another man who approaches him from the left in an interior setting, a woman and a man stand nearby with their hands raised, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'Th
Etching with engraving, Five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day or the marriage of Figaro' (La Folle journée ou le mariage de Figaro) b...
Anthropomorphic female figurine fragment: head
Anthropomorphic female figurine fragment: head
This head is a fragment of a handmade terracotta anthropomorphic figurine. A break at the top of the head indicates that the upper part of a headdress or coiffure is now missing. A...
Tirthankara Suparsvanatha in Kayotsarga, or Standing Meditation, Posture and Protected by a Five-Headed Naga
Tirthankara Suparsvanatha in Kayotsarga, or Standing Meditation, Posture and Protected by a Five-Headed Naga
Formerly thought to represent Parsvanatha, Jainism’s twenty-third Tirthankara, this sculpture has now been identified as Suparsvanatha, Jainism’s seventh Tirthankara. According to ...