Feiticeiras, sedutoras e perigosas

This article aims to analyze the mermaid myth in the narratives “A perigosa Yara”, by Clarice Lispector, and O ciclo das águas, by Moacyr Scliar, observing allegorical and representative aspects of the feminine, based on the characteristics disseminated by Jewish and Christian conceptions. Having stunning beauty and wonderful singing, the image of the mermaid is traditionally associated with seduction and charm, elements that are seen as dangerous from a patriarchal perspective, as they deceive men, leading to their ruin. However, the mermaids in “A perigosa Yara” and O ciclo das águas can be seen as manifestation of empowerment, as they are neither romanticized nor subjugate themselves to the men with whom they relate. This point to a relevant update of the myth, according to a new perspective that understands the feminine as autonomous and multiple in identities.