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Master Arthur Enthoven
View through Europeana Collections
19th century; Silvy C, Master Arthur Enthoven.
Victoria and Albert Museum
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Arthur (James) Lewis (1824-1901), husband of Kate Terry, and grandfather of John Gielgud. It appears he was also a painter and a musician, with a connection to J M Whistler.
Arthur James Lewis was a London landscape and portrait painter, and illustrator.
Arthur (James) Lewis (1824-1901), husband of Kate Terry, and grandfather of John Gielgud. It appears he was also a painter and a musician, with a connection to J M Whistler.
Arthur James Lewis was a London landscape and portrait painter, and illustrator.
Arthur (James) Lewis (1824-1901), husband of Kate Terry, and grandfather of John Gielgud. It appears he was also a painter and a musician, with a connection to J M Whistler.
Arthur...
The Holy Family
The Holy Family
The Master of Frankfurt derives his name from the city in which his most important works are to be found. They comprise two altarpieces, one of The Holy Kinship of around 1505 pain...
Tim Enthoven, An Allergy I Need To Inform You About (2023)
Tim Enthoven, An Allergy I Need To Inform You About (2023)
Watercolor, pen, pencil and arabic gum on paper, 29.7 × 24.9 cm...
Tim Enthoven, Several Allergies I Need to Inform You About (2023)
Tim Enthoven, Several Allergies I Need to Inform You About (2023)
Watercolor, felt-tip pen and pencil on paper, 29.7 × 24.9 cm...
Tim Enthoven, 12 Allergies I Need To Inform You About (2022)
Tim Enthoven, 12 Allergies I Need To Inform You About (2022)
Watercolor, felt-tip pen and pencil on paper in an 80-page sketchbook, 21 × 25.2 × 1 cm...
Clothing the Naked
Clothing the Naked
Friedländer was the first art historian to study and establish the artistic personality of this anonymous master active in Brussels in the last quarter of the 15th century. His nam...
Bathing Maidens Observed by the Master of the Garden, illustrated folio from a manuscript of the Haft Paykar of Nizami
Bathing Maidens Observed by the Master of the Garden, illustrated folio from a manuscript of the Haft Paykar of Nizami
This small painting has been carefully, if unfortunately, cut from a manuscript page, preserving the pictorial elements that extended beyond the gold ruling. The opposite side of t...