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LEAD FIGURINES FROM THE SANCTUARY OF ARTEMIS ORTHIA AT SPARTA IN THE ART GALLERY OF GREATER VICTORIA (CANADA): PROBLEMS OF TYPOLOGY AND COLLECTIONS HISTORY
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This paper presents the collections history and typological characteristics of a small collection of Laconian lead figurines from the sanctuary of Artemis Orthia currently held in the Art Gallery of Greater Victoria, British Columbia, Canada. The collection, which first belonged to Ramsay Traquair, serves as a case study for the applicability of the traditional lead figurine typology to decontextualised artefacts, demonstrating its limitations for assigning precise and accurate dates based on style without the benefit of stratigraphic and contextual evidence. The paper further attests to the value of comprehensively analysing small museum and gallery collections in order to gain more individualised understandings of the figurines within the large Laconian corpus than could be afforded upon excavation. Thus, this study helps to elucidate some of the limitations to the means by which we interpret Laconian material culture as well as to nuance our understanding of Laconian lead figurines by demonstrating the varied capability of the typology and published comparanda in dating and stylistic description.
Cambridge University Press (CUP)
Title: LEAD FIGURINES FROM THE SANCTUARY OF ARTEMIS ORTHIA AT SPARTA IN THE ART GALLERY OF GREATER VICTORIA (CANADA): PROBLEMS OF TYPOLOGY AND COLLECTIONS HISTORY
Description:
This paper presents the collections history and typological characteristics of a small collection of Laconian lead figurines from the sanctuary of Artemis Orthia currently held in the Art Gallery of Greater Victoria, British Columbia, Canada.
The collection, which first belonged to Ramsay Traquair, serves as a case study for the applicability of the traditional lead figurine typology to decontextualised artefacts, demonstrating its limitations for assigning precise and accurate dates based on style without the benefit of stratigraphic and contextual evidence.
The paper further attests to the value of comprehensively analysing small museum and gallery collections in order to gain more individualised understandings of the figurines within the large Laconian corpus than could be afforded upon excavation.
Thus, this study helps to elucidate some of the limitations to the means by which we interpret Laconian material culture as well as to nuance our understanding of Laconian lead figurines by demonstrating the varied capability of the typology and published comparanda in dating and stylistic description.
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