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PENSAR OS AUTORRETRATOS DE VIVIAN MAIER THINK ON VIVIAN MAIER’S SELF-PORTRAIT
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Resumo: Este artigo analisa alguns autorretratos de Vivian Maier enquanto construção de cena, espécie de ficção, recorrendo a Barthes, e ao conceito de mise en abyme, conforme o escritor francês André Gide. Em seus autorretratos produzidos com o espelho, a presença da fotógrafa é quase sempre posta em cena desdobrada, rebatida em perspectivas múltiplas, conduzindo-nos a questionar a própria condição do autorretrato, da imagem de si para si mesmo e para o olho do outro. Estas imagens nos mostram a mise en abyme, possibilitada pelo jogo de espelho ou de espelhamento que Vivian Maier explora.Palavras-chave: Vivian Maier; Autorretrato; Imagem.Abstract: This article analyzes some self-portraits of Vivian Maier while construction of scene, species of fiction, appealing to Barthes, and to the concept of mise en abyme, according to the French writer André Gide. In her self-portraits produced with the mirror, the photographer's presence is almost always posed in an unfolded scene, rebuffed in multiple perspectives, leading us to question the very condition of self-portrait, self-image for oneself and the other's eye. These images show us the mise en abyme, made possible by the mirror or mirror game that Vivian Maier explores.Key words: Vivian Maier; Self-portrait; Image
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Title: PENSAR OS AUTORRETRATOS DE VIVIAN MAIER THINK ON VIVIAN MAIER’S SELF-PORTRAIT
Description:
Resumo: Este artigo analisa alguns autorretratos de Vivian Maier enquanto construção de cena, espécie de ficção, recorrendo a Barthes, e ao conceito de mise en abyme, conforme o escritor francês André Gide.
Em seus autorretratos produzidos com o espelho, a presença da fotógrafa é quase sempre posta em cena desdobrada, rebatida em perspectivas múltiplas, conduzindo-nos a questionar a própria condição do autorretrato, da imagem de si para si mesmo e para o olho do outro.
Estas imagens nos mostram a mise en abyme, possibilitada pelo jogo de espelho ou de espelhamento que Vivian Maier explora.
Palavras-chave: Vivian Maier; Autorretrato; Imagem.
Abstract: This article analyzes some self-portraits of Vivian Maier while construction of scene, species of fiction, appealing to Barthes, and to the concept of mise en abyme, according to the French writer André Gide.
In her self-portraits produced with the mirror, the photographer's presence is almost always posed in an unfolded scene, rebuffed in multiple perspectives, leading us to question the very condition of self-portrait, self-image for oneself and the other's eye.
These images show us the mise en abyme, made possible by the mirror or mirror game that Vivian Maier explores.
Key words: Vivian Maier; Self-portrait; Image .
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