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A Biography of dolmen capstones

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Dolmen capstones in the Bronze Age remained on the ground even in later times and existed in people's consciousness, forming their own biography as part of the landscape. During the Bronze Age, the so-called Altar dolmens were a symbolic megalith as a place of ritual. Even in ancient times, megaliths such as dolmen capstones were used as objects of faith. In the case of the Goryeo Dynasty, it can be seen from the literature records that dolmens were considered sacred objects. On the other hand, in the case of the Joseon Dynasty, cases used for folk beliefs in various ruins have been confirmed, and it is still used as a place of faith in various parts of the country and is designated as a monument by local governments. Therefore, dolmen capstones are archaeological materials with ritual continuity from prehistoric times to modern society. And many stories have been told in dolmen capstones since ancient times. Among them, ‘Mago Grandmother’ often appears as the main character of the story of giants related to shrines, fortresses, and rocks as well as dolmens. Mago, who appears in ancient literature, was a young fairy admired by the intellectuals, and since the late Joseon Dynasty, she has changed her appearance to a female giant who is friendly to the common people. The appearance of a female god deeply penetrating the folk beliefs of the common people has continued from the late Joseon Dynasty to the present through dolmen capstones. In addition, dolmen capstones next to the ancestors' tombs were not just rocks, but were considered a sacred symbol protecting the family, so they should not be damaged or moved recklessly. As such, megaliths installed in the prehistoric times had a very deep relationship with the lives of later people. Dolmen capstones, the object and place of rituals, have continued to serve as social and personal medium of memory throughout various periods to the present. While rituals for megalithic monuments in the Bronze Age were collective events led by the ruling class, since the Middle Ages, they have often been held at the level of personal wishes along with village rituals. The tendency of weakening collectivity and strengthening individuality in the megalithic faith will continue beyond modern society to future society.
The Pusan Archaeological Society
Title: A Biography of dolmen capstones
Description:
Dolmen capstones in the Bronze Age remained on the ground even in later times and existed in people's consciousness, forming their own biography as part of the landscape.
During the Bronze Age, the so-called Altar dolmens were a symbolic megalith as a place of ritual.
Even in ancient times, megaliths such as dolmen capstones were used as objects of faith.
In the case of the Goryeo Dynasty, it can be seen from the literature records that dolmens were considered sacred objects.
On the other hand, in the case of the Joseon Dynasty, cases used for folk beliefs in various ruins have been confirmed, and it is still used as a place of faith in various parts of the country and is designated as a monument by local governments.
Therefore, dolmen capstones are archaeological materials with ritual continuity from prehistoric times to modern society.
And many stories have been told in dolmen capstones since ancient times.
Among them, ‘Mago Grandmother’ often appears as the main character of the story of giants related to shrines, fortresses, and rocks as well as dolmens.
Mago, who appears in ancient literature, was a young fairy admired by the intellectuals, and since the late Joseon Dynasty, she has changed her appearance to a female giant who is friendly to the common people.
The appearance of a female god deeply penetrating the folk beliefs of the common people has continued from the late Joseon Dynasty to the present through dolmen capstones.
In addition, dolmen capstones next to the ancestors' tombs were not just rocks, but were considered a sacred symbol protecting the family, so they should not be damaged or moved recklessly.
As such, megaliths installed in the prehistoric times had a very deep relationship with the lives of later people.
Dolmen capstones, the object and place of rituals, have continued to serve as social and personal medium of memory throughout various periods to the present.
While rituals for megalithic monuments in the Bronze Age were collective events led by the ruling class, since the Middle Ages, they have often been held at the level of personal wishes along with village rituals.
The tendency of weakening collectivity and strengthening individuality in the megalithic faith will continue beyond modern society to future society.

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