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Job on the dunghill with his wife and three friends
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(Ed.ne Alinari) N.° 26396. Roma - Basilica Vaticana - Grotte. Sarcofago di Giunio Basso Prefetto di Roma (359)
(Ed.ne Alinari) N.° 26396. Roma - Basilica Vaticana - Grotte. Sarcofago di Giunio Basso Prefetto di Roma (359)
Front of the sarcophagus of Junius Bassus, praefectus urbi Romae: it features relief scenes arranged in rows in a columnar framework. Top row, from left to right: Sacrifice of Isaa...
painting (watercolour): ["David Love"]
painting (watercolour): ["David Love"]
Portrait of a man in a black top hat. He also wears a brown jacket and a black waistcoat. He is holding papers in both hands. Stamp at bottom left of page reads 'Bristol Paper' aro...
Mitteleuropa, Baden - Die Altweibermühle in der Wolfacher Fastnacht
Mitteleuropa, Baden - Die Altweibermühle in der Wolfacher Fastnacht
The musical comedy with spoken insertions is performed after the Shrove Monday's carnival parade in the market-place. The performance is organized by the "Freie Narrenzunft" (Free ...
Job Sitting on the Dunghill, from The Story of Job, plate 6
Job Sitting on the Dunghill, from The Story of Job, plate 6
Engraving first state of two (New Hollstein), The Story of Job...
The Artist and his Wife Marie Suzanne Giroust painting the Portrait of Henrik Wilhelm Peill
The Artist and his Wife Marie Suzanne Giroust painting the Portrait of Henrik Wilhelm Peill
Roslin was active in Paris and came to hold a unique position on the international art scene of the 18th century. It was in the French capital that he met his future wife, the port...
Misia in a Chaise Longue
Misia in a Chaise Longue
“In Vuillard’s company one was at peace with the world. Nothing could be more harmonious than his life and his actions.” The actor Aurélien-Marie Lugné-Poe’s characterization of hi...
Portrait of a Lady
Portrait of a Lady
In addition to the interiors that he painted throughout the 1650s, Nicolas Maes also executed portraits, dedicating himself exclusively to this genre from 1660. He worked in variou...

