Javascript must be enabled to continue!
OLD-SCHOOL STRENGTH: PELEUS AS OLD MAN IN EURIPIDES’ANDROMACHE
View through CrossRef
AbstractThe Peleus of Euripides’Andromachemakes claims puzzlingly incongruous with his decrepit physical state; he threatens physical violence against the much younger Menelaus and denies his advanced age outright in conversation with Andromache. Peleus’ motivations for acting in such a way, Menelaus’ cause for acting as if these claims are true, and the literary or dramatic significance of these affairs, all pose problems which this article addresses, while also offering a first step towards a comprehensive methodology for understanding old age in Euripidean drama. It presents a unified view of old men across several plays, highlighting key patterns of their interaction with old age, and applies this broad perspective to a close analysis of Peleus’ portrayal in theAndromache.It argues that old men in the plays of Euripides can be viewed generally on either side of a dichotomy between giving effective counsel or participating effectively in physical conflict. Peleus subverts this dichotomy by denying the fact of his age throughout, an action which allows him to employ the skill in speaking gained by his old age as a dramatic substitute for direct physical confrontation and to occupy the social role of a younger man in the Greek household.
Title: OLD-SCHOOL STRENGTH: PELEUS AS OLD MAN IN EURIPIDES’ANDROMACHE
Description:
AbstractThe Peleus of Euripides’Andromachemakes claims puzzlingly incongruous with his decrepit physical state; he threatens physical violence against the much younger Menelaus and denies his advanced age outright in conversation with Andromache.
Peleus’ motivations for acting in such a way, Menelaus’ cause for acting as if these claims are true, and the literary or dramatic significance of these affairs, all pose problems which this article addresses, while also offering a first step towards a comprehensive methodology for understanding old age in Euripidean drama.
It presents a unified view of old men across several plays, highlighting key patterns of their interaction with old age, and applies this broad perspective to a close analysis of Peleus’ portrayal in theAndromache.
It argues that old men in the plays of Euripides can be viewed generally on either side of a dichotomy between giving effective counsel or participating effectively in physical conflict.
Peleus subverts this dichotomy by denying the fact of his age throughout, an action which allows him to employ the skill in speaking gained by his old age as a dramatic substitute for direct physical confrontation and to occupy the social role of a younger man in the Greek household.
Related Results
Peleus’ Iliadic Background in Euripides’ Andromache
Peleus’ Iliadic Background in Euripides’ Andromache
Abstract
This article analyses Peleus’ characterisation in Euripides’
Andromache
through an intertext...
Embracing Thetis in Euripides’ Andromache
Embracing Thetis in Euripides’ Andromache
At a crucial moment in Euripides’ Andromache, the title character throws her hands (περὶ χεῖρε βαλοῦσα, 115) around a statue of the goddess Thetis and laments the losses that have ...
Andromache
Andromache
Abstract
Based on the conviction that only translators who write poetry themselves can properly re-create the celebrated and timeless tragedies of Aeschylus, Sophocl...
Aristophanes and Euripides
Aristophanes and Euripides
An apology is needed for taking up this well-worn theme. My reason is that in discussions and in reading works on Greek literature I have often felt that Aristophanes' antipathy to...
Wyniki badań 110 dziewcząt “nie uczących się i nie pracujących”
Wyniki badań 110 dziewcząt “nie uczących się i nie pracujących”
The publication presents the findings of an inquiry conducted among 110 girls aged 15 - 17 who had been directed, on the grounds of being “out of school and out of work”, to two on...
Trooping the (School) Colour
Trooping the (School) Colour
Introduction
Throughout the early and mid-twentieth century, cadet training was a feature of many secondary schools and educational establishments across Australia, with countless ...
Euripides' Medea
Euripides' Medea
Euripides’ Medea is the most read and performed of Euripides’ plays. It was first performed in Athens at the City Dionysia in 431 bce, on the verge of the Peloponnesian War. Euripi...
Eurípides: de la moral pensada a la moral vivida
Eurípides: de la moral pensada a la moral vivida
ResumenLa tragedia griega sigue siendo un gran referente de reflexión filosófica. En este artículo nos centraremos en la figura de Eurípides, concretamente en el tema de los juicio...

