Javascript must be enabled to continue!
After the Storm
View through National Gallery of Denmark
After the ravages of a storm, the mast rising towards the sky
is broken. Lines and ropes flutter in the wind, and the maroon
sail sinks into the sea. With great care, the artist has depicted
the sunlight piercing the clouds, the rain over the sea and the
white foam whipped from the agitated waters.
Caspar David Friedrich grew up in Greifswald near
the Baltic Sea, and throughout his life he regularly visited the
nearby island of Rügen. Here he watched the sky and the sea
in all kinds of weather. Ships at sea were a recurring theme in
his art, often serving as symbols of life’s journey.
In Friedrich’s pictorial universe, human drama
and immediate observation come together. The nuanced
depiction of the stormy sky testifies to how Friedrich, like
many other painters across Europe, was keenly interested
in exploring cloud formations in various weather and under
changing lighting. Friedrich was inspired by the realistic
Danish style of landscape painting when he studied at
the academy in Copenhagen 1794–1798. He subsequently
maintained contact with several Danish artists, and his art
was known and admired in contemporary Denmark (50 Favorites in the SMK Collection).
Værkdatering: 1817
Den angivne datering forekommer overbevisende (første gang påpeget af Karl W. Jähnig i håndskrevet notat bag på gammelt foto, dateret 1. februar 1959). Werner Sumowski har godtaget denne datering (1970).
Title: After the Storm
Description:
After the ravages of a storm, the mast rising towards the sky
is broken.
Lines and ropes flutter in the wind, and the maroon
sail sinks into the sea.
With great care, the artist has depicted
the sunlight piercing the clouds, the rain over the sea and the
white foam whipped from the agitated waters.
Caspar David Friedrich grew up in Greifswald near
the Baltic Sea, and throughout his life he regularly visited the
nearby island of Rügen.
Here he watched the sky and the sea
in all kinds of weather.
Ships at sea were a recurring theme in
his art, often serving as symbols of life’s journey.
In Friedrich’s pictorial universe, human drama
and immediate observation come together.
The nuanced
depiction of the stormy sky testifies to how Friedrich, like
many other painters across Europe, was keenly interested
in exploring cloud formations in various weather and under
changing lighting.
Friedrich was inspired by the realistic
Danish style of landscape painting when he studied at
the academy in Copenhagen 1794–1798.
He subsequently
maintained contact with several Danish artists, and his art
was known and admired in contemporary Denmark (50 Favorites in the SMK Collection).
Related Results
Landscape with a Storm
Landscape with a Storm
Marco Ricci was the nephew of the painter Sebastiano Ricci, with whom he collaborated and who may have been his first teacher, although it has also been suggested that he studied w...
Krishna and Radha Embrace during a Storm (recto); Priests Worship Shrinathji (verso); folio from a royal Kota-Jaipur album
Krishna and Radha Embrace during a Storm (recto); Priests Worship Shrinathji (verso); folio from a royal Kota-Jaipur album
Seated under an awning outside of a sumptuous bedchamber, the blue-skinned Krishna and his consort, Radha, hold one another close. The lightning that snakes across the dark sky abo...
Christ in the Storm on the Sea of Galilee
Christ in the Storm on the Sea of Galilee
Jan Brueghel belonged to a dynasty of painters whose first outstanding member was Pieter Bruegel, Jan’s father, who died when he was a child. According to Karel van Mander, Jan tra...
Stage design, 1st act, 4th scene “The Volsker knocking off the storm” to B. Brecht “Coriolan” at the Berlin ensemble with stage music by Paul Dessau (premiere 23 September 1964). Karl von Appen, 1964. Colours; 45.4 x 63.3 cm. Dresden: Copper stick cabinet
Stage design, 1st act, 4th scene “The Volsker knocking off the storm” to B. Brecht “Coriolan” at the Berlin ensemble with stage music by Paul Dessau (premiere 23 September 1964). Karl von Appen, 1964. Colours; 45.4 x 63.3 cm. Dresden: Copper stick cabinet
Stage design, 1st act, 4th scene “The Volsker knocking off the storm” to B. Brecht “Coriolan” at the Berlin ensemble with stage music by Paul Dessau (premiere 23 September 1964). K...
Storm wind
Storm wind
Wind of storm Carroll Baker, Roger Moore, Walter Slezak... [et al.], directed by Irving Rapper. Technicolor, Technirama, screenplay by Frank Butler, original music by Elmer Bernste...

