Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Courtiers with a Horse and Attendant, folio from an album

View through Harvard Museums
This drawing is one of several examples that take members of the Safavid court into the country, here a landscape divided into two parts by the meandering profile of a craggy brown rock. Emphasized by its deep blue color, a pool of water, or perhaps a mountain brook, is set near the center of the composition; behind it is a smaller rock, tinted pale blue as if cooled by the adjacent water. Two trees, one with birds perched in its branches, grow from the main rock; they are defined by delicate line drawing in black ink, augmented by the selective use of gray and red washes. Two men flank the pool: one, with a youthful, trim physique, can be identified as a Safavid prince or ruler. Facing him is an older, bearded, heavy-set man— most likely a guardian and instructor (lala)— who, unlike the royal figure, has a sword and dagger attached to his belt. In their hands, the prince and guardian hold thin objects that extend into the water. They are engaged in fishing.
Department of Islamic & Later Indian Art Stanford and Norma Jean Calderwood Belmont MA (by 1998-2002) gift; to Harvard Art Museums 2002. Harvard Art Museums/Arthur M. Sackler Museum The Norma Jean Calderwood Collection of Islamic Art
Title: Courtiers with a Horse and Attendant, folio from an album
Description:
This drawing is one of several examples that take members of the Safavid court into the country, here a landscape divided into two parts by the meandering profile of a craggy brown rock.
Emphasized by its deep blue color, a pool of water, or perhaps a mountain brook, is set near the center of the composition; behind it is a smaller rock, tinted pale blue as if cooled by the adjacent water.
Two trees, one with birds perched in its branches, grow from the main rock; they are defined by delicate line drawing in black ink, augmented by the selective use of gray and red washes.
Two men flank the pool: one, with a youthful, trim physique, can be identified as a Safavid prince or ruler.
Facing him is an older, bearded, heavy-set man— most likely a guardian and instructor (lala)— who, unlike the royal figure, has a sword and dagger attached to his belt.
In their hands, the prince and guardian hold thin objects that extend into the water.
They are engaged in fishing.

Related Results

A Hunting Prince Steadies and Fires His Matchlock Gun on an Attendant's Shoulder
A Hunting Prince Steadies and Fires His Matchlock Gun on an Attendant's Shoulder
On the right is a kneeling prince, distinguished by his earring and ornate turban. He wears yellow trousers, a long, striped robe (jama), and a waist sash (patka). Tucked and hangi...
Bridle with Cheek Pieces Depicting Horses
Bridle with Cheek Pieces Depicting Horses
The cheek pieces of this horse bit are in the shape of walking horses. The bit is a square-sectioned rod, hammered and curled in opposite directions on the ends (20.8 cm long, 2.7 ...
Rao Madho Singh on Horseback with Three Attendants on Foot (fragment)
Rao Madho Singh on Horseback with Three Attendants on Foot (fragment)
This fragmentary drawing features Kota ruler Rao Madho Singh (r. 1625-1648) mounted on a galloping, caparisoned horse. Surrounding Madho Singh are three attendants on foot. One car...
Two Persian courtiers, Persepolis
Two Persian courtiers, Persepolis
Two Persian courtiers, one standing sideways, one standing frontally, with head turned back, grabbing each other's beards in greeting . This was from the Palace of Xerxes Persepoli...
Breechcloth
Breechcloth
Breechcloth; probably Yanktonai; 1860-1870Wool, porcupine quills, sinew, metal, horsehair, pigments; 117.5 x 28.5 cm.\RMV 710-9; Herman F.C. ten Kate collection; purchased from tra...
Old Man with Cane in Rocky Landscape (drawing, recto; calligraphy, verso), folio from an album
Old Man with Cane in Rocky Landscape (drawing, recto; calligraphy, verso), folio from an album
Set between lines of Persian poetry in black nasta? liq, the drawing on the recto of this album folio is framed by multiple rulings and a stenciled margin of exuberant lotus palmet...
Preparatory Equestrian Portrait of Bahadur Shah with an Attendant
Preparatory Equestrian Portrait of Bahadur Shah with an Attendant
The mounted figure is Bahadur Shah I, the seventh Mughal emperor (r. 1707-1712). He bears a halo, which denotes his divine-like status, and a thick, dark beard. He wears a turban, ...
The Beloved Arrives at Midnight (painting, recto; text, verso), folio 54 from a manuscript of the Divan (Collection of Works) of Anvari
The Beloved Arrives at Midnight (painting, recto; text, verso), folio 54 from a manuscript of the Divan (Collection of Works) of Anvari
The recto side of the folio features two columns of Persian text written in black ink and nasta’liq script. The columns are interrupted by a painting depicting a male figure in the...

Back to Top