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This chapter offers a new reading of Pindar’s Nemean 8. It investigates the ways in which Pindar frames consciousness about art, cult, and the material world with the language and imagery of desire, vision, and physical contact. Discussion is built around the encounter with the Aeginetan cult hero Aiakos, and the potential for interfaces with contemporary art and ritual through contextual allusion to his Aeginetan shrine. This forms the basis for a broader treatment of the poem’s visual and haptic metaphors, and a wider-ranging musing on epinician poetry’s potential to grant special access: to the mythical; to ritual; to heroes; to the deceased and to the past; to context. These findings are then built upon to offer a fresh interpretation of the encounter with the hero Alcmaeon in Pindar’s Pythian 8.
Oxford University Press
Title: Contact
Description:
This chapter offers a new reading of Pindar’s Nemean 8.
It investigates the ways in which Pindar frames consciousness about art, cult, and the material world with the language and imagery of desire, vision, and physical contact.
Discussion is built around the encounter with the Aeginetan cult hero Aiakos, and the potential for interfaces with contemporary art and ritual through contextual allusion to his Aeginetan shrine.
This forms the basis for a broader treatment of the poem’s visual and haptic metaphors, and a wider-ranging musing on epinician poetry’s potential to grant special access: to the mythical; to ritual; to heroes; to the deceased and to the past; to context.
These findings are then built upon to offer a fresh interpretation of the encounter with the hero Alcmaeon in Pindar’s Pythian 8.

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