Javascript must be enabled to continue!
Krishna Swims with the Gopis (painting, recto), possibly an illustration from the Bhagavata Purana
View through Harvard Museums
In this painting, swirling waters of the Yamuna River serve as a playground for the dark-skinned Hindu god Krishna and a group of gopis (female cowherds). He is shown teasing the gopis, holding on to one as she tries to playfully get away. The flirtatious act is a manifestation of Krishna’s lila, the concept of divine play that induces intense devotional worship (bhakti) among the gopis—and by extension, devotees of Krishna—who gaze at the deity with love-laden eyes and longing for divine union.
Seated ashore under a large tree canopy are three women who keep watch over the bathers’ clothes, with Krishna’s peacock-feather crown and yellow dhoti neatly placed in a basket. On the left is a male cowherd with his cattle, and in the center, a priest at a shrine.
The setting is probably meant to be the town of Vrindavan in northern India, where Krishna spent most of his early adulthood, and the Yamuna, a main tributary of the Ganges River, features prominently in episodes of Krishna’s life.
Department of Islamic & Later Indian Art
Harvard Art Museums/Arthur M. Sackler Museum Gift of John Kenneth Galbraith
Title: Krishna Swims with the Gopis (painting, recto), possibly an illustration from the Bhagavata Purana
Description:
In this painting, swirling waters of the Yamuna River serve as a playground for the dark-skinned Hindu god Krishna and a group of gopis (female cowherds).
He is shown teasing the gopis, holding on to one as she tries to playfully get away.
The flirtatious act is a manifestation of Krishna’s lila, the concept of divine play that induces intense devotional worship (bhakti) among the gopis—and by extension, devotees of Krishna—who gaze at the deity with love-laden eyes and longing for divine union.
Seated ashore under a large tree canopy are three women who keep watch over the bathers’ clothes, with Krishna’s peacock-feather crown and yellow dhoti neatly placed in a basket.
On the left is a male cowherd with his cattle, and in the center, a priest at a shrine.
The setting is probably meant to be the town of Vrindavan in northern India, where Krishna spent most of his early adulthood, and the Yamuna, a main tributary of the Ganges River, features prominently in episodes of Krishna’s life.
Related Results
painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, paint
painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, paint
"Here is portrayed three Moods of the Sky and the effects on the Fish and Animals. Sharks and Turtles come to the Surface when it is Raining. Wallabies and Kangaroos are out feedin...
Krishna Subdues the Serpent King Kaliya (painting, recto; text, verso), folio from a Bhagavata Purana series
Krishna Subdues the Serpent King Kaliya (painting, recto; text, verso), folio from a Bhagavata Purana series
The folio depicts the blue-skinned Hindu god Krishna’s subjugation of the Serpent King Kaliya in the waters of the river Yamuna. The artist depicts Krishna three times to illustrat...
Indra Pays Homage to Krishna (painting, recto; text, verso), folio from a Bhagavata Purana series
Indra Pays Homage to Krishna (painting, recto; text, verso), folio from a Bhagavata Purana series
Based on chapter twenty-seven of the tenth book of the Bhagavata Purana, this folio depicts Indra, the king of the gods, paying homage to Krishna. The blue-skinned Krishna towers o...
Jarasandha’s siege of Mathura (painting, recto; text, verso), folio from a Bhagavata Purana series
Jarasandha’s siege of Mathura (painting, recto; text, verso), folio from a Bhagavata Purana series
At the center of the folio is a walled fortress, which serves as our vantage point for the circular chaos below. Along with the four women on the terrace, we watch the battle unfol...
Krishna Sporting with the Cowherds (painting, recto; text, verso), folio from a Bhagavata Purana series
Krishna Sporting with the Cowherds (painting, recto; text, verso), folio from a Bhagavata Purana series
This folio depicts young Krishna and Balarama engaging in playful activities in Vrindavan. The blue-skinned Hindu god Krishna, his elder half-brother Balarama, and the cowherds acc...
Young Krishna and His Friends Steal Butter (painting, recto), folio from a Bhagavata Purana series
Young Krishna and His Friends Steal Butter (painting, recto), folio from a Bhagavata Purana series
The painting depicts the blue-skinned Hindu god Krishna multiple times in the act of stealing butter. Krishna’s childhood mischiefs are popular tales from the tenth book of the Bha...
Krishna Receives Homage from Indra (painting, recto), folio from a Bhagavata Purana series
Krishna Receives Homage from Indra (painting, recto), folio from a Bhagavata Purana series
Based on the narrative of chapter twenty-seven of the tenth book of the Bhagavata Purana, this folio depicts Indra, the king of the gods, paying homage to Krishna. Indra touches Kr...
Krishna Quells the Serpent Kaliya (painting, recto), folio from a Bhagavata Purana series
Krishna Quells the Serpent Kaliya (painting, recto), folio from a Bhagavata Purana series
This painting depicts Krishna’s subjugation of the serpent king Kaliya in the waters of River Yamuna. Kaliya wreaked havoc on the town of Vrindavan, poisoning their source of water...


