Reconfiguring Asia Through the Lens of Buddhism: India and Okakura Tenshin’s The Ideals of the East

The Japanese scholar and art critic Okakura Tenshin traveled to colonial India from January to September 1902 and made three visits to the Buddhist holy site of Bodh Gaya. There, he attempted to purchase a piece of land from the landowner, the Mahant, to build a vihāra (resthouse) for Japanese Buddhist devotees. His purchase request was rejected by the British colonial authority for his foreigner status, despite no legal prohibition against land sales to foreigners under Bodh Gaya’s land management laws at the time. The year after his journey to India, Okakura Tenshin published The Ideals of the East, wherein the renowned declaration that “Asia is one” subsequently evolved to be the intellectual cornerstone of twentieth-century Asianism (or Pan-Asianism). How did Okakura’s Indian journey and his experience of the failed attempt to purchase land in Bodh Gaya catalyze his conception of “Asia is One”? This essay first traces the Buddhist revival movements in late nineteenth-century India and Japan, elucidating how Buddhism helped forge a sense of transnational solidarity between the two nations, which Okakura also embraced. It then examines Okakura’s trip to India and his plan to purchase land at Bodh Gaya, uncovering the underlying geopolitical struggle between the British Empire and the New Asian Power Japan. In this context, the analysis will show that Okakura’s frustrating experience of failed land purchase underscored for him the necessity for the solidarity between Japan and India and the need for a unitary idea of Asia to articulate that solidarity. Finally, a comparative textual analysis between The Ideals of the East (1903) and Okakura’s “History of Japanese Art” lectures given at the Tokyo Fine Arts School before his trip to India explicates how Buddhism, which was being revived by a collective of various groups in and outside its place of origin India, served as a cohesive discursive agent in Okakura’s construction of the narrative of an Asian unity. This Buddhist framework helped Okakura to reconstruct the interlinked cultural histories of India, China, and Japan into a unified notion of Asia within which he crystallized a unique and favored cultural identity for Japan.