Search engine for discovering works of Art, research articles, and books related to Art and Culture
Javascript must be enabled to continue!
MEMORI TRAUMA DALAM FILM G30S/PKI: SEBUAH INTERPRETASI TEOLOGIS
View through CrossRef
This article is motivated by the polemic surrounding watching the G30S/PKI film. The purpose of writing is to find new insights from film as one of the artifacts of popular culture: where film is a mirror of oneself, even a mirror of a nation. Through an effort to analyze the film Peng betrayan G30S/PKI, we capture a moral message about the gripping culture of a society that has suffered from chronic and traumatic historical wounds for so long. Through this film, we find a picture of power that appears as an “interpretation regime”, which monopolizes and controls the interpretation of the world of signs and symbols, namely the G30S/PKI film, so that the truth is bent for the sake of political propaganda. With a qualitative method, this paper intends to construct emancipatory meanings through reading films that speak of small narratives that function as trauma healers, and whose presence becomes an opponent for the domination of the big narratives of a nation's history. The results of this study confirm that the trauma passed down from generation to generation is faced not by running from it, but rather by facing it, re-watching it, making it a mirror of our own modesty in the past. It can be concluded that the narrative of a film is a means to restore spiritual shame, so that we can appreciate the shame of failing before God, to be restored and empowered again as a new human being.
Title: MEMORI TRAUMA DALAM FILM G30S/PKI: SEBUAH INTERPRETASI TEOLOGIS
Description:
This article is motivated by the polemic surrounding watching the G30S/PKI film.
The purpose of writing is to find new insights from film as one of the artifacts of popular culture: where film is a mirror of oneself, even a mirror of a nation.
Through an effort to analyze the film Peng betrayan G30S/PKI, we capture a moral message about the gripping culture of a society that has suffered from chronic and traumatic historical wounds for so long.
Through this film, we find a picture of power that appears as an “interpretation regime”, which monopolizes and controls the interpretation of the world of signs and symbols, namely the G30S/PKI film, so that the truth is bent for the sake of political propaganda.
With a qualitative method, this paper intends to construct emancipatory meanings through reading films that speak of small narratives that function as trauma healers, and whose presence becomes an opponent for the domination of the big narratives of a nation's history.
The results of this study confirm that the trauma passed down from generation to generation is faced not by running from it, but rather by facing it, re-watching it, making it a mirror of our own modesty in the past.
It can be concluded that the narrative of a film is a means to restore spiritual shame, so that we can appreciate the shame of failing before God, to be restored and empowered again as a new human being.
Related Results
Pandangan Mahasiswa UNPI terhadap Penayangan Film Pengkhianatan G30S/PKI
Pandangan Mahasiswa UNPI terhadap Penayangan Film Pengkhianatan G30S/PKI
Abstrak Gerakan 30 September PKI tahun 1965 adalah peristiwa yang kompleks, tujuh Perwira tinggi militer Indonesia dan beberapa yang lainnya tewas dalam upaya kudeta. Film yang be...
GERAKAN 30 SEPTEMBER 1965 DALAM PERSPEKTIF FILSAFAT SEJARAH MARXISME
GERAKAN 30 SEPTEMBER 1965 DALAM PERSPEKTIF FILSAFAT SEJARAH MARXISME
The Thirtieth of September Movement 1965 (G30S 1965), is a movement which is very influential in the history of Indonesian society until today. After G30S 1965, freedom of ideology...
FAKTOR-FAKTOR YANG MEMPENGARUHI MORTALITAS PADA PASIEN DENGAN FRAKTUR COSTA: Literature Review
FAKTOR-FAKTOR YANG MEMPENGARUHI MORTALITAS PADA PASIEN DENGAN FRAKTUR COSTA: Literature Review
FAKTOR-FAKTOR YANG MEMPENGARUHI MORTALITAS PADA PASIEN DENGAN FRAKTUR COSTA: Literature Review Anna Tri Wahyuni1), Masfuri2), Liya Arista3)1,2,3 Fakultas Ilmu Keperawatan Univers...
Film dan propaganda politik (studi atas film “g-30s/pki” dan “jagal”)
Film dan propaganda politik (studi atas film “g-30s/pki” dan “jagal”)
This paper examines and compares two films with the theme of political events / history in 1965, namely Pengkhianatan G30S/PKI and Jagal. Both films have the same object but are pr...
Reclaiming the Wasteland: Samson and Delilah and the Historical Perception and Construction of Indigenous Knowledges in Australian Cinema
Reclaiming the Wasteland: Samson and Delilah and the Historical Perception and Construction of Indigenous Knowledges in Australian Cinema
It was always based on a teenage love story between the two kids. One is a sniffer and one is not. It was designed for Central Australia because we do write these kids off there. N...
PENINGKATAN KETRAMPILAN PENGENALAN TANDA TRAUMA ABDOMEN DENGAN TEKNIK BEHAVIORAL SKILL TRAINING
PENINGKATAN KETRAMPILAN PENGENALAN TANDA TRAUMA ABDOMEN DENGAN TEKNIK BEHAVIORAL SKILL TRAINING
Abstrak
Trauma abdomen merupakan trauma yang terletak didaerah antara pelvis bagian bawah dan diafragma pada bagian atas. Trauma abdomen terdiri atas trauma tumpul abdomen dan tr...
GERWANI DALAM SEJARAH PERPOLITIKAN INDONESIA TAHUN 1950-1980
GERWANI DALAM SEJARAH PERPOLITIKAN INDONESIA TAHUN 1950-1980
Perempuan memiliki peran besar dalam sejarah pergerakan Indonesia. Tidak hanya berfokus pada perjuangan hak, tetapi juga dalam bidang lainnya. Seperti Gerwani yang aktif dalam perp...
Representasi G30S dalam Buku Teks Sejarah SMA Kurikulum 1994 Terbitan Erlangga Edisi Kedua: Analisis Wacana Kritis Roger Fowler
Representasi G30S dalam Buku Teks Sejarah SMA Kurikulum 1994 Terbitan Erlangga Edisi Kedua: Analisis Wacana Kritis Roger Fowler
This study was motivated by the controversy surrounding the narrative of the September 30th Movement (G30S), which during the New Order era was presented in a one-sided manner and ...