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Lonely Landscapes

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Anna-Liisa Haakana is a Finnish novelist best known for her realistic stories set in Sápmi (better known in English by its colonial name “Lapland”) during the 1980s. Haakana’s teenage protagonists, Ykä in Ykä Yksinäinen (Ykä the Lonely, 1980) and Anitra in Ykköstyttö (Number One Girl, 1981), feel lonely and isolated despite being surrounded by their families. Loneliness, as Fay Alberti reminds us, is a social and cultural phenomenon which has its own history. In Haakana’s pre-internet novels, loneliness is mapped onto the northern landscape such that the protagonists’ perceptions of their homes are tinged with feelings of isolation. In this article, I investigate the links between the feelings of loneliness and landscape by drawing on Sara Ahmed’s work on queer orientations to examine the geo-spatial dimensions of loneliness. Although neither of the novels by Haakana examined here are romances per se, desire acts as a form of way-finding for both Ykä and Anitra. For both teens, feelings of love combined with the desire to care for someone vulnerable orient them towards their homes. To do so, they must move: stillness leads to feelings of loneliness and topophobia, but movement leads to feelings of purpose and topophilia.
The Swedish Institute for Children's Books
Title: Lonely Landscapes
Description:
Anna-Liisa Haakana is a Finnish novelist best known for her realistic stories set in Sápmi (better known in English by its colonial name “Lapland”) during the 1980s.
Haakana’s teenage protagonists, Ykä in Ykä Yksinäinen (Ykä the Lonely, 1980) and Anitra in Ykköstyttö (Number One Girl, 1981), feel lonely and isolated despite being surrounded by their families.
Loneliness, as Fay Alberti reminds us, is a social and cultural phenomenon which has its own history.
In Haakana’s pre-internet novels, loneliness is mapped onto the northern landscape such that the protagonists’ perceptions of their homes are tinged with feelings of isolation.
In this article, I investigate the links between the feelings of loneliness and landscape by drawing on Sara Ahmed’s work on queer orientations to examine the geo-spatial dimensions of loneliness.
Although neither of the novels by Haakana examined here are romances per se, desire acts as a form of way-finding for both Ykä and Anitra.
For both teens, feelings of love combined with the desire to care for someone vulnerable orient them towards their homes.
To do so, they must move: stillness leads to feelings of loneliness and topophobia, but movement leads to feelings of purpose and topophilia.

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