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Postmoderna referencialnost: igra tekstov in kontekstov v Drugi simfoniji Petra Bergama
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Drugo simfonijo (1967) hrvaškega skladatelja Petra Bergama je potrebno analizirati v kontekstu zagrebškega Bienala, torej v kontekstu prevlade modernizma, ki ga je skladatelj razumel kot slepo ulico. Simfonija je zasnovana kot niz citatov in aluzij, ki lahko sprožajo široko polje asociacije, povezanih z logiko toka glasbene zgodovine. Takšni postopki so podobni postmodernističnim tehnikam, zato je mogoče skladbo Bergama razumeti kot proto-postmoderno delo.
Title: Postmoderna referencialnost: igra tekstov in kontekstov v Drugi simfoniji Petra Bergama
Description:
Drugo simfonijo (1967) hrvaškega skladatelja Petra Bergama je potrebno analizirati v kontekstu zagrebškega Bienala, torej v kontekstu prevlade modernizma, ki ga je skladatelj razumel kot slepo ulico.
Simfonija je zasnovana kot niz citatov in aluzij, ki lahko sprožajo široko polje asociacije, povezanih z logiko toka glasbene zgodovine.
Takšni postopki so podobni postmodernističnim tehnikam, zato je mogoče skladbo Bergama razumeti kot proto-postmoderno delo.
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