Javascript must be enabled to continue!
Thoughtless Play
View through CrossRef
Authorial responsibility has been increasingly decentralized by the collective manipulation of media parameters. Whereas this encourages a sense of freedom for those exposed to such narratives, participation in narrative realization and a lack of interpretative dislocation can actually impair a reader. To demonstrate how excessive mediation can liberate or limit an audience, this article will compare how William Blake's “The Fly” and Grand Theft Auto: San Andreas differently enable and disable the authority and agency of storytellers and readers.
Title: Thoughtless Play
Description:
Authorial responsibility has been increasingly decentralized by the collective manipulation of media parameters.
Whereas this encourages a sense of freedom for those exposed to such narratives, participation in narrative realization and a lack of interpretative dislocation can actually impair a reader.
To demonstrate how excessive mediation can liberate or limit an audience, this article will compare how William Blake's “The Fly” and Grand Theft Auto: San Andreas differently enable and disable the authority and agency of storytellers and readers.
Related Results
Constructing a Cultural Icon: Nomos and Shaw's Saint Joan in Paris
Constructing a Cultural Icon: Nomos and Shaw's Saint Joan in Paris
George Bernard Shaw's Saint Joan quickly became a play without a passport. Shaw began writing the play in England in late April 1923 and completed it in Ireland in August of that s...
Pivotal Play: Rethinking Meaningful Play in Games Through Death in Dungeons & Dragons
Pivotal Play: Rethinking Meaningful Play in Games Through Death in Dungeons & Dragons
In game studies, meaningful play is commonly discussed and situated through Salen and Zimmerman’s (2004) definition describing it as the integrated and discernible relationship bet...
The Title of Prometheus Desmotes
The Title of Prometheus Desmotes
All I hope to do in this note is to reinforce Lesky's protest against ‘the attitude of mind shown by many modern scholars, who refuse to admit that there is a Prometheus problem at...
On Creativity, Inutility and Play
On Creativity, Inutility and Play
Abstract
The article deals with the topic of play as the background for creativity. Methodologically, the study is based on a phenomenological- hermeneutical approa...
Marguerite de Navarre et le mystère médiéval
Marguerite de Navarre et le mystère médiéval
This article examines the relationship between Marguerite de Navarre’s biblical plays and the genre of the fifteenth- and sixteenth-century medieval mystery play by focusing on thr...
‘Who Is’t can Read a Woman?’: Representation of Queen Elizabeth I in Cymbeline
‘Who Is’t can Read a Woman?’: Representation of Queen Elizabeth I in Cymbeline
This article is an attempt to read Cymbeline (1608-1610), one of Shakespeare’s so-called ‘final plays’ or ‘romances’ as a site of cultural responses to the remaining ‘presence’ of ...
The popularity of the light comedy during the late era of Kim Jong-il
The popularity of the light comedy during the late era of Kim Jong-il
Abstract
This paper examines the political and cultural context of the popular 2010 revival of the light comedy theatre production Sanullim in North Korea. The play, originally ...
Cultivating the Art of Dying: Margaret Edson’s W;t Between Page and Screen [Kultywując sztukę umierania. W;t Margaret Edson – pomiędzy dramatem a filmem]
Cultivating the Art of Dying: Margaret Edson’s W;t Between Page and Screen [Kultywując sztukę umierania. W;t Margaret Edson – pomiędzy dramatem a filmem]
As death returned to make its mark on the world with the COVID-19 pandemic and, consequently, resurfaced in the social imaginary, we have found ourselves once again full-throatedly...