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Frozen Improvisation

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Name: Juan Manuel Cisneros García Main Subject: Forte Piano Research Supervisor: Bart van Oort Title of Research: Frozen improvisation: The Mozart piano variations as a model for improvisation on the Classical Style Summary of Results: The fourteen sets of piano variations composed by Wolfgang Amadeus Mozart are a sort of microcosmos of his whole pianistic output. Their complete composition covered practically his entire lifetime, from 1766 to 1791 and some of them were originated in actual improvisatory performances. Considering also the historically documented connections between the variation genre and the extemporization practices, this research is focused on their study as models for learning improvisation on the Classical style. With this purpose, I am using a concrete methodology that is being developed now in Spain (IEM methodology) that places the improvisation in the core of music education, with special emphasis in the use of patterns extracted from the musical sources. This has been combined with the historically informed performance practice in order to develop a repertory of exercises and proposals to be used as a guided practice for this learning process. Biography: Juan Manuel Cisneros (Málaga, Spain, 1978) is pianist, composer and teacher. He has a Bachelor´s degree on Piano (Conservatoire of Málaga), Phylosophy (University of Málaga) and Composition (Conservatoire of Granada). He completed his studies as composer and pianist in the Centre Acanthes (Metz, France), among other musical institutions. He is currently performing in several ensembles, from early music to jazz, in Spain, France, Holland, Italy and Romania. His passion for historic keyboard instruments led him to the fortepiano and the harpsichord in recent years. He is developing an extensive activity in the field of historic improvisation, with frequent lectures, concerts and workshops in Spain and abroad. He is composition and improvisation teacher at the Conservatoire of Granada and teacher member of the IEM (Music Education Institute) methodology.
Title: Frozen Improvisation
Description:
Name: Juan Manuel Cisneros García Main Subject: Forte Piano Research Supervisor: Bart van Oort Title of Research: Frozen improvisation: The Mozart piano variations as a model for improvisation on the Classical Style Summary of Results: The fourteen sets of piano variations composed by Wolfgang Amadeus Mozart are a sort of microcosmos of his whole pianistic output.
Their complete composition covered practically his entire lifetime, from 1766 to 1791 and some of them were originated in actual improvisatory performances.
Considering also the historically documented connections between the variation genre and the extemporization practices, this research is focused on their study as models for learning improvisation on the Classical style.
With this purpose, I am using a concrete methodology that is being developed now in Spain (IEM methodology) that places the improvisation in the core of music education, with special emphasis in the use of patterns extracted from the musical sources.
This has been combined with the historically informed performance practice in order to develop a repertory of exercises and proposals to be used as a guided practice for this learning process.
Biography: Juan Manuel Cisneros (Málaga, Spain, 1978) is pianist, composer and teacher.
He has a Bachelor´s degree on Piano (Conservatoire of Málaga), Phylosophy (University of Málaga) and Composition (Conservatoire of Granada).
He completed his studies as composer and pianist in the Centre Acanthes (Metz, France), among other musical institutions.
He is currently performing in several ensembles, from early music to jazz, in Spain, France, Holland, Italy and Romania.
His passion for historic keyboard instruments led him to the fortepiano and the harpsichord in recent years.
He is developing an extensive activity in the field of historic improvisation, with frequent lectures, concerts and workshops in Spain and abroad.
He is composition and improvisation teacher at the Conservatoire of Granada and teacher member of the IEM (Music Education Institute) methodology.

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