Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Eugène Savitzkaya

View through CrossRef
With the publication of his novel Fraudeur in 2015, Eugène Savitzkaya appears to return us to his first novel Mentir published in 1977. In the intervening years Minuit has published nine novels by Savitzkaya and each of them has put the form of the novel in play through a variety of devices ranging from paratextual commentary on the generic status of the novel to the integration of autobiographical materials. The focus of this chapter will be on the figure of the mother as inscribed within Mentir and Fraudeur and how she is at once both a biographème that signals the author’s past and referential horizon yet also a source of fiction that exceeds the autobiographical even as it draws upon it. In reading both these novels I want to explore the formal relationship between the novel and auto/biography in terms of fiction.
Liverpool University Press
Title: Eugène Savitzkaya
Description:
With the publication of his novel Fraudeur in 2015, Eugène Savitzkaya appears to return us to his first novel Mentir published in 1977.
In the intervening years Minuit has published nine novels by Savitzkaya and each of them has put the form of the novel in play through a variety of devices ranging from paratextual commentary on the generic status of the novel to the integration of autobiographical materials.
The focus of this chapter will be on the figure of the mother as inscribed within Mentir and Fraudeur and how she is at once both a biographème that signals the author’s past and referential horizon yet also a source of fiction that exceeds the autobiographical even as it draws upon it.
In reading both these novels I want to explore the formal relationship between the novel and auto/biography in terms of fiction.

Related Results

Dispositifs de l’habitation : Hélène Lenoir et Eugène Savitzkaya
Dispositifs de l’habitation : Hélène Lenoir et Eugène Savitzkaya
À l’aide d’outils d’analyse proposés par la théorie littéraire, la philosophie et la psychanalyse ainsi que par des travaux relatifs à la géographie, l’architecture et l’urbanisme,...
L’écriture du chez soi chez Emmanuel Carrère, Marie NDiaye & Eugène Savitzkaya
L’écriture du chez soi chez Emmanuel Carrère, Marie NDiaye & Eugène Savitzkaya
Cet article est un compte-rendu du livre : Daisy Connon, Subjects Not-at-home : Forms of the Uncanny in the Contemporary French Novel. Emmanuel Carrère, Marie NDiaye, Eugène Savitz...
Mécanismes discursifs chez Eugène Ionesco
Mécanismes discursifs chez Eugène Ionesco
Un mécanisme fait référence à un ensemble de différents composants qui fonctionnent ensemble en harmonie. Le terme « discursif » dans le titre de notre thèse est lié à l'implicatio...
Prince Eugene of Savoy
Prince Eugene of Savoy
Prince Eugene of Savoy (b. 1663–d. 1736) was a military commander, administrator, and diplomat in the service of the Austrian Habsburg emperors. He descended from a cadet branch of...
SANCTIFIED EGO: NARCISSISM IN THE CLOAK OF RELIGION IN CHIMAMANDA NGOZI ADICHIE’S PURPLE HIBISCUS
SANCTIFIED EGO: NARCISSISM IN THE CLOAK OF RELIGION IN CHIMAMANDA NGOZI ADICHIE’S PURPLE HIBISCUS
This article considers the theme of narcissism in Chimamanda Ngozi Adichie’s Purple Hibiscus, with a focus on the character Eugene Achike, who portrays the traits of a narcissist c...
Eugene and Howard Odum
Eugene and Howard Odum
Eugene P. (b. 1913–d. 2002) and Howard T. (b. 1924–d. 2002) Odum were leading figures in the development of ecosystem ecology after the Second World War. They were from a prominent...
Mediating "Eugene Onegin"
Mediating "Eugene Onegin"
“The sun of Russian poetry”, Alexander Pushkin, wrote his novel in verse “Eugene Onegin” from 1823 to 1831. Since then it has been regarded as a masterpiece of literature and Pushk...
An Argument for the Third Voice: Reimagining Eugene O'Neill's Hughie
An Argument for the Third Voice: Reimagining Eugene O'Neill's Hughie
Abstract Productions of Hughie have traditionally regarded O'Neill's late one-act as an actor's play, carried by dialogue and requiring minimal directorial intervent...

Back to Top