Javascript must be enabled to continue!
Abraham ancillam Agar dimittit/Abraham giving up the hand maid Hagar/Abraham izgonind-o pe Hagar (în registrul inventar: „Abraham și Agar”)
Title: Abraham ancillam Agar dimittit/Abraham giving up the hand maid Hagar/Abraham izgonind-o pe Hagar (în registrul inventar: „Abraham și Agar”)
Description not available.
Related Results
A sack-back gown, petticoat and stomacher made in the late 1760s of 1730s silk and trimmed with knotted silk fringe. It may have been remade from a mantua, as the petticoat is pieced with plain silk at the back. Has also been worn for 19th century fancy d
A sack-back gown, petticoat and stomacher made in the late 1760s of 1730s silk and trimmed with knotted silk fringe. It may have been remade from a mantua, as the petticoat is pieced with plain silk at the back. Has also been worn for 19th century fancy d
A sack-back gown, petticoat and stomacher made in the late 1760s of 1730s silk and trimmed with knotted silk fringe. It may have been remade from a mantua, as the petticoat is piec...
Woman's open gown of cotton and linen, hand-painted and woven in India, sewn in Great Britain, 1795-1800. Woman's open gown of hand-painted Indian cotton and linen. Hand-woven and hand-sewn. Mordant dyed. Cut without a waist seam, and constructed from two
Woman's open gown of cotton and linen, hand-painted and woven in India, sewn in Great Britain, 1795-1800. Woman's open gown of hand-painted Indian cotton and linen. Hand-woven and hand-sewn. Mordant dyed. Cut without a waist seam, and constructed from two
Woman's open gown of cotton and linen, hand-painted and woven in India, sewn in Great Britain, 1795-1800. Woman's open gown of hand-painted Indian cotton and linen. Hand-woven and ...
The Kitchen Maid
The Kitchen Maid
“The Kitchen Maid” is considered by many to be one of Rembrandt’s most representative works. The warm shades of red, brown and yellow, and the vivid depiction of the girl, make thi...
The Sacrifice of Isaac
The Sacrifice of Isaac
Giambattista Piazzetta trained with the tenebrist painter Antonio Molinari (1655–1704), then continued his studies in Bologna in 1705 with Giuseppe Maria Crespi (1665–1747). Both a...

