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Grasshopper and Flower, after Egyptian Wall Painting
View through Harvard Museums
Department of Drawings
Fine Arts Department Harvard University Cambridge MA; transferred to Fogg Art Museum 1926.
Harvard Art Museums/Fogg Museum Transfer from the Fine Arts Department Harvard University
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"Here is portrayed three Moods of the Sky and the effects on the Fish and Animals. Sharks and Turtles come to the Surface when it is Raining. Wallabies and Kangaroos are out feedin...
Table Plateau
Table Plateau
BORDSPLATY Consisting of a bottom plate (plateau) with a mirror glass, two flower bowls with artificial bouquets, two fruit bowls with glass bowls, six confectionery bowls with gla...
Midvinterblot
Midvinterblot
The painting shows a naked man with his head held high standing on a gilded sleigh drawn by four strong men, two pulling and two pushing. A one-eyed priest is shown in the centre o...
Wall Painting Fragment
Wall Painting Fragment
Grey pigment on white lime (calcite) plaster, with large multicolored pebble inclusions. Grey ground.
This fragment mends (joins) with fragment 1940.97.79. Both fragments have b...
Wall Painting Fragment
Wall Painting Fragment
Grey pigment on white lime (calcite) plaster, with large multicolored pebble inclusions. Grey ground.
This fragment mends (joins) with fragment 1940.97.22. Both fragments have b...
Luminescence
Luminescence
In 1925, at the first exhibition of the OST, the painter I. Kudriashov presented two series of paintings: the Construction of Straight Line Movement and the Construction of Curvili...
Pierrot Content
Pierrot Content
Pierrot content is one of a group of early works by Watteau in which the artist developed the theme of the fête galante that would be so highly appreciated during the 18th century....
Heimdal överlämnar Brisingasmycket till Freja
Heimdal överlämnar Brisingasmycket till Freja
New acquisition, September 2013: Competition entry by Nils Andersson Nils Andersson's painting Heimdal Returns Brisingamen to Freya is an evocative example of the images of ancient...

