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STORM-GOD IMPERSONATORS FROM ANCIENT OAXACA
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This paper analyses the imagery on two different Zapotec ceramic
forms: an open-ended cylinder and an effigy vessel, both from
the Royal Ontario Museum in Toronto. In this study, I propose
that the figures on these objects represent impersonators of
the Zapotec storm god Cocijo. The impersonators would probably
have been rulers playing the role of this god and are carrying
out a ritual associated with the agricultural cycle of corn.
A comparative method that combines historical archaeology,
ethnography, and iconographic analysis reveals clues to the
function and significance of the vessels. The study leads to
the conjecture that these objects were used in connection with
blood offerings during corn-harvest rituals. These conclusions
address the nature of ancient Zapotec religion and cosmology
and provide evidence that the Zapotec performed rain and fertility
rituals associated with the corn harvest similar to those of
other cultural groups in Mesoamerica.
Title: STORM-GOD IMPERSONATORS FROM ANCIENT OAXACA
Description:
This paper analyses the imagery on two different Zapotec ceramic
forms: an open-ended cylinder and an effigy vessel, both from
the Royal Ontario Museum in Toronto.
In this study, I propose
that the figures on these objects represent impersonators of
the Zapotec storm god Cocijo.
The impersonators would probably
have been rulers playing the role of this god and are carrying
out a ritual associated with the agricultural cycle of corn.
A comparative method that combines historical archaeology,
ethnography, and iconographic analysis reveals clues to the
function and significance of the vessels.
The study leads to
the conjecture that these objects were used in connection with
blood offerings during corn-harvest rituals.
These conclusions
address the nature of ancient Zapotec religion and cosmology
and provide evidence that the Zapotec performed rain and fertility
rituals associated with the corn harvest similar to those of
other cultural groups in Mesoamerica.
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