Javascript must be enabled to continue!
STORM-GOD IMPERSONATORS FROM ANCIENT OAXACA
View through CrossRef
This paper analyses the imagery on two different Zapotec ceramic
forms: an open-ended cylinder and an effigy vessel, both from
the Royal Ontario Museum in Toronto. In this study, I propose
that the figures on these objects represent impersonators of
the Zapotec storm god Cocijo. The impersonators would probably
have been rulers playing the role of this god and are carrying
out a ritual associated with the agricultural cycle of corn.
A comparative method that combines historical archaeology,
ethnography, and iconographic analysis reveals clues to the
function and significance of the vessels. The study leads to
the conjecture that these objects were used in connection with
blood offerings during corn-harvest rituals. These conclusions
address the nature of ancient Zapotec religion and cosmology
and provide evidence that the Zapotec performed rain and fertility
rituals associated with the corn harvest similar to those of
other cultural groups in Mesoamerica.
Title: STORM-GOD IMPERSONATORS FROM ANCIENT OAXACA
Description:
This paper analyses the imagery on two different Zapotec ceramic
forms: an open-ended cylinder and an effigy vessel, both from
the Royal Ontario Museum in Toronto.
In this study, I propose
that the figures on these objects represent impersonators of
the Zapotec storm god Cocijo.
The impersonators would probably
have been rulers playing the role of this god and are carrying
out a ritual associated with the agricultural cycle of corn.
A comparative method that combines historical archaeology,
ethnography, and iconographic analysis reveals clues to the
function and significance of the vessels.
The study leads to
the conjecture that these objects were used in connection with
blood offerings during corn-harvest rituals.
These conclusions
address the nature of ancient Zapotec religion and cosmology
and provide evidence that the Zapotec performed rain and fertility
rituals associated with the corn harvest similar to those of
other cultural groups in Mesoamerica.
Related Results
The Analysis of the Relationship between God, Religion and Politics in Thomas Hobbes’s Leviathan and De Cive
The Analysis of the Relationship between God, Religion and Politics in Thomas Hobbes’s Leviathan and De Cive
Thomas Hobbes (1588-1679) was a
significant political theorist who could be regarded as the founder of social
contract theories. Hobbes’s philosophy is worthy of attention in the h...
Encountering Evil: The Evil-god Challenge from Religious Experience
Encountering Evil: The Evil-god Challenge from Religious Experience
It is often thought that religious experiences provide support for the cumulative case for the existence of the God of classical monotheism. In this paper, I formulate an Evil-god ...
William Morris and the Judgment of God
William Morris and the Judgment of God
William Morris once said to a friend, “if there is a God, He never meant us to know much about Himself, or indeed to concern ourselves about Him at all.” The remark indicates a rel...
Lord of the Storm and Oracular Decisions: Competing Construals of Storm God Imagery in Hosea 6:1–6
Lord of the Storm and Oracular Decisions: Competing Construals of Storm God Imagery in Hosea 6:1–6
Abstract
The poetry of Hosea employs and engages the religious imagery from the Baʿlu cult in its construal of Israel’s deity, YHWH, as a storm god. The present article focuses on ...
Hobbes's "Mortal God" and Renaissance Hermeticism
Hobbes's "Mortal God" and Renaissance Hermeticism
AbstractResearch made by Schuhmann and Bredekamp has pointed up the unsuspected links between Hobbes and one of the ancient traditions best loved by Renaissance philosophy: Hermeti...
A Newfound Icon “Sophia the Wisdom of God with Miracle-Working Icons of the Mother of God” of the Late 17th — Early 18th Century: Aspects of the Iconographic Programme
A Newfound Icon “Sophia the Wisdom of God with Miracle-Working Icons of the Mother of God” of the Late 17th — Early 18th Century: Aspects of the Iconographic Programme
The article discusses the unique theological programme of an icon painted in the town of Vologda at the turn of the 17th to the 18th century. The icon combines the image of Sophia ...
Divine Poiesis and Abstract Entities
Divine Poiesis and Abstract Entities
According to Anselm, God is understood as a being than which nothing greater can be conceived. God is the greatest possible being. In this tradition, which has come to be spoken of...
THE DEITY AS A MOSAIC: IMAGES OF THE GOD XIPE TOTEC IN DIVINATORY CODICES FROM CENTRAL MESOAMERICA
THE DEITY AS A MOSAIC: IMAGES OF THE GOD XIPE TOTEC IN DIVINATORY CODICES FROM CENTRAL MESOAMERICA
AbstractIn this article I argue that the graphic images of the gods in the divinatory codices are composed of signs of different semantic values which encode particular properties....