Javascript must be enabled to continue!
Memorials of Edward Burne-Jones
View through CrossRef
Sir Edward Coley Burne-Jones (1833–98) emerged from a solitary, motherless childhood to form close friendships with William Morris and such other luminaries of the Victorian art world as Dante Gabriel Rossetti and John Ruskin. A second generation Pre-Raphaelite and founder member of the Morris firm, he was influential in many areas, from painting, stained glass and tapestry design to book illustration. His later work, including such iconic paintings as The Wheel of Fortune, The Golden Stairs (which caused a sensation when exhibited at the Grosvenor Gallery) and The Sleep of Arthur in Avalon, influenced and exemplified the Aesthetic Movement, and inspired the European Symbolists. His wife, Georgiana Burne-Jones (1840–1920), published this engaging two-volume biography in 1904. Volume 2 hints at the emotional turmoil behind paintings like Love Among the Ruins, reveals the impact of his visits to Italy, and usefully contextualises the haunting masterpieces of his later years.
Title: Memorials of Edward Burne-Jones
Description:
Sir Edward Coley Burne-Jones (1833–98) emerged from a solitary, motherless childhood to form close friendships with William Morris and such other luminaries of the Victorian art world as Dante Gabriel Rossetti and John Ruskin.
A second generation Pre-Raphaelite and founder member of the Morris firm, he was influential in many areas, from painting, stained glass and tapestry design to book illustration.
His later work, including such iconic paintings as The Wheel of Fortune, The Golden Stairs (which caused a sensation when exhibited at the Grosvenor Gallery) and The Sleep of Arthur in Avalon, influenced and exemplified the Aesthetic Movement, and inspired the European Symbolists.
His wife, Georgiana Burne-Jones (1840–1920), published this engaging two-volume biography in 1904.
Volume 2 hints at the emotional turmoil behind paintings like Love Among the Ruins, reveals the impact of his visits to Italy, and usefully contextualises the haunting masterpieces of his later years.
Related Results
Kanon og glemsel – Arkæologiens mindesmærker
Kanon og glemsel – Arkæologiens mindesmærker
Canon and oblivion. The memorials of archaeologyThe article takes its point of departure in the sun chariot; the find itself and its find site at Trundholm bog where it was discove...
Plasma AR Alterations and Timing of Intensified Hormone Treatment for Prostate Cancer
Plasma AR Alterations and Timing of Intensified Hormone Treatment for Prostate Cancer
This randomized clinical trial explores whether hormone intensification at start of androgen deprivation therapy alters selection of androgen receptor (AR) gene alterations within ...
Η ζωγραφική των Dante Gabriel Rossetti και Edward Burne-Jones και ο απόηχος αυτής στον ελληνικό Συμβολισμό
Η ζωγραφική των Dante Gabriel Rossetti και Edward Burne-Jones και ο απόηχος αυτής στον ελληνικό Συμβολισμό
Η διατριβή διαπραγματεύεται το μεγάλο σε αξία, καλλιτεχνικό έργο των ζωγράφων Dante Gabriel Rossetti και Edward Burne-Jones, το οποίο εκτείνεται από το 1848, περίπου, με τη δημιουρ...
A Pre-Raphaelite Bromance: The Influence of Dante Gabriel Rossetti on the Queer Works of Edward Burne-Jones
A Pre-Raphaelite Bromance: The Influence of Dante Gabriel Rossetti on the Queer Works of Edward Burne-Jones
In this paper I explore the artistic and personal association between eminent Pre-Raphaelite artists Dante Gabriel Rossetti and Edward Burne-Jones, through the lens of queer theory...
Genforeningens mindesmærker
Genforeningens mindesmærker
Memorials marking Danish ReunificationShaping a community of remembranceIn 2020, on the 100th anniversary of Danish Reunification, around 650 memorials had received protected statu...
« La plus belle couleur au monde » : le bleu dans l’œuvre d’Edward Burne-Jones
« La plus belle couleur au monde » : le bleu dans l’œuvre d’Edward Burne-Jones
À travers l’étude de quatre décennies de production picturale du peintre anglais Edward Burne-Jones (1833-1898), cet article analyse la présence progressivement dominante de la cou...
Memorials of Edward Burne-Jones
Memorials of Edward Burne-Jones
Sir Edward Coley Burne-Jones (1833–98) emerged from a solitary, motherless childhood to form close friendships with William Morris and such other luminaries of the Victorian art wo...
Visuality and Unmediation in Burne‐Jones’s Laus Veneris
Visuality and Unmediation in Burne‐Jones’s Laus Veneris
This article argues that a contest between the image and verbal knowledge is central to the work of Burne‐Jones and that this contest thematizes cultural tensions around the capaci...

