Jamie Macpherson's Fiddle: Decolonisation, and Representing Gypsy/Traveller Communities in the Clan Macpherson Museum

This article examines the representation of Gypsy/Travellers in Scottish museums using a decolonial perspective. Focusing on a case study of Jamie Macpherson’s fiddle and its re-interpretation at the Clan Macpherson Museum in 2021, this article explores the value of using decolonial ideas to frame and interpret Scottish Gypsy/Traveller experience. It argues that, both historically and in the present, Scottish Gypsy/Travellers have been subject to racism and discrimination that are the product of colonialism and its continuing legacies. This theoretical framework of coloniality informed a collaborative project to re-interpret Jamie Macpherson’s fiddle at the Clan Macpherson Museum, where the authors worked with activists and members of the Gypsy/Traveller community. The focal point of this re-interpretation was a piece of creative writing by Maggie McPhee, a Scottish Traveller, whose ‘Heartbreak Through Her Eyes’ re-imagined the story of Jamie Macpherson – hanged at Banff in 1700 for being an ‘Egiptian’ (Gypsy) – from the perspective of his mother. Centering the experience of both women and Gypsy/Travellers, Maggie McPhee’s story demonstrated different ways of knowing the past. Drawing on recent feminist work in South America on the epistemologies of the South, we argue that storytelling such as Maggie’s can become an act of decolonial resistance – a form of ‘poetic knowledge’ that can be an important part of broader efforts to decolonise museums. The enduring coloniality of anti-Gypsy/Traveller racism is challenged by the powerful and beautiful words of Maggie McPhee, centring the Gypsy/Traveller voice in ways that change our understanding of the past and fight racism in the present.