Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Prologue

View through CrossRef
Such is Eliza Orme’s identity—a woman academically trained in law at a time when the discipline’s professional credentials were categorically closed to women—that she was quite well known in her own time and place, late-Victorian London, but has been largely overlooked by posterity despite our ongoing fascination with women’s struggle for equal rights. Miss Orme was ‘hopelessly practical’, as she once told a political audience, but she was also remarkably ambitious. Research in private letters and published accounts reveals her as sarcastic and witty, warm and teasing, blunt and authoritative. Historian Leslie Howsam chooses the genre of ‘research memoir’ to capture key elements of this elusive subject’s life and work while demonstrating how digital resources and methods, increasingly available over four decades of her own career, have transformed the investigation.
Title: Prologue
Description:
Such is Eliza Orme’s identity—a woman academically trained in law at a time when the discipline’s professional credentials were categorically closed to women—that she was quite well known in her own time and place, late-Victorian London, but has been largely overlooked by posterity despite our ongoing fascination with women’s struggle for equal rights.
Miss Orme was ‘hopelessly practical’, as she once told a political audience, but she was also remarkably ambitious.
Research in private letters and published accounts reveals her as sarcastic and witty, warm and teasing, blunt and authoritative.
Historian Leslie Howsam chooses the genre of ‘research memoir’ to capture key elements of this elusive subject’s life and work while demonstrating how digital resources and methods, increasingly available over four decades of her own career, have transformed the investigation.

Related Results

Incarnation and Covenant in the Prologue to the Fourth Gospel (John 1:1-18)
Incarnation and Covenant in the Prologue to the Fourth Gospel (John 1:1-18)
Most scholars would agree that the Prologue to the Fourth Gospel--as John 1:1-8 is usually called--introduces Jesus Christ as a divine, pre-existent being who at a certain point in...
Volver a Miró
Volver a Miró
Review of the books Gabriel Miró, Complete Works Vol. I. Of living. My friend's novel. Prologue by Azorín. Introduction by Enrique Rubio Cremades, Seville, Ediciones Ulises, Renaci...
Madness and the Apostle: Paul’s Jewishness in the Euthalian Prologue to the Letters of Paul and in the Writings of John Chrysostom
Madness and the Apostle: Paul’s Jewishness in the Euthalian Prologue to the Letters of Paul and in the Writings of John Chrysostom
Abstract The Euthalian Prologue to the Letters of Paul is found in hundreds of late ancient and medieval editions of the Pauline corpus, presenting readers with a prefatory biograp...
Portrait of St. John the Baptist in the prologue of the Fourth Gospel
Portrait of St. John the Baptist in the prologue of the Fourth Gospel
This article analyses the portrait of John the Baptist in the prologue of the Gospel of John. It explores both the hymnic prologue (Jn 1:6-8.15) which speaks of John as the witness...
The Prologue as a Paschal Hymn
The Prologue as a Paschal Hymn
Abstract On the basis of the analysis of the Gospel of John given so far, and in particular the celebration of Pascha that began with him, this chapter offers a radi...
Ideologi Eksistensialisme Pada Puisi “Prologue” Karya Sapardi Djoko Damono
Ideologi Eksistensialisme Pada Puisi “Prologue” Karya Sapardi Djoko Damono
Artikel ini membahas ideologi eksistensialisme pada puisi “Prologue” karya Sapardi Djoko Damono. Tujuan penelitian ini yakni untuk menunjukkan konsep ideologi eksistensialisme yang...
Fiction and History in Apuleius’ Milesian Prologue
Fiction and History in Apuleius’ Milesian Prologue
Abstract In this chapter I shall argue that while Apuleius’ text is clearly marked for its readers as fiction, the Prologue’s phrases variae fabulae and sermo ist...

Back to Top