The Chorus in New Tragedy

This chapter brings together known and possible fourth-century choral tragic texts, analysing and evaluating the chorus’ dramatic activity in the later Classical period. Beginning with the Rhesus once attributed to Euripides, it examines the innovations and dramatic potential of this tragedy’s chorus in performance. In particular it highlights the unique instances of a fragmented choral voice, a striking independence in the chorus’ character, and the use of separated strophic pairs for dramatic structure. There follows an evaluation of the possible fragments of fourth-century tragic choral speech or song, and closer consideration of three such fragments all incidentally linked to the tragedian Astydamas. In these fragments the chapter views further signs of activity, choral interaction with actors, and literary play. A final section introduces a comparison with lyric poetic composition in the fourth century, taking Philodamus’ Paean to Dionysus as an illuminating example of sophisticated and potent choral performance in the fourth century.