Fickur

Boett of gold with enamel, miniature paintings, rose stones and oriental pearls, the dial of enamel, works with s. k. spider canal. Bottom shell convex. On this in cover enamel three across corners standing Rombian squares, the middle larger, each within narrow cantrand in gold, in the squares figures in colors. In the middle box facing white bottom: in the middle a rectangular field, on which in white against light blue background to the left one in front of an altar standing forward executioner woman, facing right, in foot-side dress and with the left hand in front of her face, with the right holding in band one in front of her standing dog, on the altar a lying figure, wrapped with a white robe, on the far right a tree with the branches hanging over the altar. At the upper and lower edge of the field a narrow stripe in green, between the lower and the field two narrow stripes in gold. Under the field a three-bladed flower of rose stones, on a long stalk, two stones in each leaf and four in the stalk, all in debris and foiled. On either side of the stalk a twig in gold with leaves in green. On top of the field a bell-shaped ornament in a pale red, including a bouquet of stems in gold, flowers in red and leaves in green, on either side of the ornamental an inward-facing snail arch in gold, from which hangs a double ribbon, the outer part at the lower end with three small pearls in blue, the inner with the lower end attached to the lower edge of the field, in the bend five pearls as the aforementioned. In the left pane against a pale red background one on yellow-green ground standing woman, turned half to the right, holding a yellow harp in front of her with both hands and with curly dark brown hair, in foot-side yellow upholstery and gredelin mantle. In the right box a woman, turned half left, blowing in a basun, which she agrees with both hands, as well as with curly dark brown hair, in foot-side white dress and draped blue robe. The squares against a striped background of translucent enamel on the guilloche pattern bottom, the stripes radiated from the middle to four directions, each other striped wider, in dark blue, each other with braid patterns in light blue. The dark blue obsessed with thirty-two rose stones together (one missing) in millegriffs (thousand chorus) of silver; around the edge a narrow stretcher in white. Calling the outer edge a narrow frame, littered with a row of fifty-two cut beads, made in the fade with the outer edge laid off, on the upper edge a smooth rod. Glass frame with strong convex glass; the frame in shape and decoration as the outer edge of the bottom shell and with fifty-six dyke beads. The Scharner at the left edge. Bygel lying oval, with flat inside and two facade outside. The bracket in the form of a pole in three sections, the upper and the lower four-sided, the middle oval staff; on the upper end a push, joined by a springspring with a glass frame hearing. Dial white, with black Arabic hourly and minute figures, which are read from below, the latter only at each, including minute points, which at the hourly numbers between the quarter numbers form groups of three points in each, the inner point fatter. Next to the figure 2 a hole for the barrel. Viewer Two, of Gold. The hour viewer in the form of two loosely twisted bands, at the outer end extended to a four-sided box with the outer corner finished in a short tip. The minutist narrow and slightly swollen at the inner end, the outer with a long tip; along the middle a hollow-like recess, a piece from each end a narrow cross band. Action with round oroklove of gilded brass, broken through, with beamlined S- shaped leaf arches, two and two with inner ends joined at a short pin from the centre; in the middle a small round disc (p. k. countersteel) of steel, with a protruding wedge-shaped tab. Ruckartavla of silver, on this engraved and filled with black pulp a wreath of two opposing twigs with leaves, along with a division of transverse streaks and three-lobed leaves and the letters A and R (Avance and Retard); ruckerarm of brass, pointed. The work with the charner at the left edge, at the opposite a spring hook with a nail print at the edge.