Jacques Lecoq and the Canadian Theatre

There are striking similarities in the work of Canadian theatre artists Richard Pochinko, Theatre Columbus, and Theatre Smith-Gilmour. Each of these artists emphasizes the physical aspects of theatre, each uses physical performance styles to explore nature and the human condition, and each prioritizes connection with the audience. While these similarities are apparent from even the most cursory of examinations, this article explores further the actual link between them: Jacques Lecoq and his École Internationale de Théâtre Jacques Lecoq in Paris, which served as inspiration for all these Canadian theatre icons. A mime and physical theatre artist himself, Lecoq taught his students to experiment with physical expression, and this physical experimentation influenced the approaches, techniques, and perspectives adopted in the work of the theatre artists listed above. Indeed, Lecoq has made a valuable impact on many of the influential practitioners who have shaped what we recognize as Canadian theatre today. This article explores the nature of that impact by outlining Lecoq’s own artistic interests and influences, the approaches taught at École Internationale de Théâtre Jacques Lecoq, and the ways that Lecoq’s influence presents itself in three iconic examples of physical theatre in Canada.