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Album of calligraphy specimens

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The album contains 19 folios, carrying 36 pieces of calligraphy. A small note suggests that the album entered the library of Khanlar Mirza Ihtisham al-Dawla, in Muharram 1271/Sep-Oct 1854. He was the seventeenth son of the crown prince, ‘Abbas Mirza. All folios have attributions written in the margins. Altogether there are 2 folios in taʿliq by Khwaja Ikhtiyar, 13 folios by Darvish ‘Abd al-Majid Taliqani (d. Isfahan, 1185 H.), 7 folios by Muhammad Shafi‘ Isfahani (known as Shafi‘a) (d. c.1089 H.), 3 folios by Mirza Kuchak Isfahani (d. after 1228 H.), 2 by Mirza Riza (d. 12th century H.), 2 in the style of Shafi‘a, and 2 in the manner of Darvish. The two folios attributed to Khwaja Ikhtiyar are the oldest works in this album. The album is bound in a dark brown leather binding bordered by gold painted frames. The inside covers are plain brown leather framed by two gold lines.
Department of Islamic & Later Indian Art Ezzat-Malek Soudavar Geneva Switzerland (by 2014) by descent; to her son Abolala Soudavar Houston Texas (2014) loan; to Harvard Art Museums 2015. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market. Harvard Art Museums/Arthur M. Sackler Museum Loan from A. Soudavar in memory of his mother Ezzat-Malek Soudavar
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Title: Album of calligraphy specimens
Description:
The album contains 19 folios, carrying 36 pieces of calligraphy.
A small note suggests that the album entered the library of Khanlar Mirza Ihtisham al-Dawla, in Muharram 1271/Sep-Oct 1854.
He was the seventeenth son of the crown prince, ‘Abbas Mirza.
All folios have attributions written in the margins.
Altogether there are 2 folios in taʿliq by Khwaja Ikhtiyar, 13 folios by Darvish ‘Abd al-Majid Taliqani (d.
Isfahan, 1185 H.
), 7 folios by Muhammad Shafi‘ Isfahani (known as Shafi‘a) (d.
c.
1089 H.
), 3 folios by Mirza Kuchak Isfahani (d.
after 1228 H.
), 2 by Mirza Riza (d.
12th century H.
), 2 in the style of Shafi‘a, and 2 in the manner of Darvish.
The two folios attributed to Khwaja Ikhtiyar are the oldest works in this album.
The album is bound in a dark brown leather binding bordered by gold painted frames.
The inside covers are plain brown leather framed by two gold lines.

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