Javascript must be enabled to continue!
“My Tabernacle ‘Mormon’ Choir”
View through CrossRef
This chapter discusses the activities of the Mormon Tabernacle Choir under the direction of its conductor, Evan Stephens. In 1890 Mormons outgrew two fads, one doctrinal, the other musical. First was the idea that the world would end between December 1890 and December 1891. This commonplace belief, which helped nurture Mormon ferocity in the face of anti-polygamy legislation, derived from a statement Joseph Smith had made in 1835. In musical terms, entering the mainstream meant full commitment to standard musical notation and a letting-go of the musical fad of the Tonic sol-fa method. In 1891, William D. Davies, Welsh cultural ambassador from the New York newspaper Y Drych, toured Utah, heard Stephens's Choir and pronounced it the best choir in the world. This chapter considers the controversies faced by the Choir during Stephens's term as well as its concerts, domestic tours, and the competitions it joined. It also examines how the Choir continued its mission of public visibility without even leaving Salt Lake City.
Title: “My Tabernacle ‘Mormon’ Choir”
Description:
This chapter discusses the activities of the Mormon Tabernacle Choir under the direction of its conductor, Evan Stephens.
In 1890 Mormons outgrew two fads, one doctrinal, the other musical.
First was the idea that the world would end between December 1890 and December 1891.
This commonplace belief, which helped nurture Mormon ferocity in the face of anti-polygamy legislation, derived from a statement Joseph Smith had made in 1835.
In musical terms, entering the mainstream meant full commitment to standard musical notation and a letting-go of the musical fad of the Tonic sol-fa method.
In 1891, William D.
Davies, Welsh cultural ambassador from the New York newspaper Y Drych, toured Utah, heard Stephens's Choir and pronounced it the best choir in the world.
This chapter considers the controversies faced by the Choir during Stephens's term as well as its concerts, domestic tours, and the competitions it joined.
It also examines how the Choir continued its mission of public visibility without even leaving Salt Lake City.
Related Results
Buildings and Professors
Buildings and Professors
This chapter discusses the beginnings of the Mormon Tabernacle Choir. It first considers the construction of the Salt Lake Tabernacle on April 6, 1852, before turning to the school...
The Latter-day Saint Experience in America
The Latter-day Saint Experience in America
Scholars have labeled the Church of Jesus Christ of Latter-day Saints, or Mormonism as it is better known, both the American Religion, and the next world faith. The Mormon saga inc...
Books and Angels
Books and Angels
This chapter looks at the Mormons' earliest choirs, first by considering passages in the Book of Mormon that mentioned heavenly “choirs”—all of which would have made sense to a you...
Joseph Smith’s Sermons and the Early Mormon Documentary Record
Joseph Smith’s Sermons and the Early Mormon Documentary Record
In “Joseph Smith’s Sermons and the Early Mormon Documentary Record,” William V. Smith treats Joseph Smith’s preaching record in chronological fashion. This treatment provides, in p...
The Gold Plates as Foundational Text
The Gold Plates as Foundational Text
Richard Bushman’s “The Gold Plates as Foundational Text” focuses on the making of the Book of Mormon. In contrast to the controversies over the recovery and translation of the gold...
“More the Companion and Much Less the Subordinate”
“More the Companion and Much Less the Subordinate”
This chapter examines one of the paradoxes that has vexed the historiography of Mormon women since its inception: activist Mormon polygamous women who claimed access to citizenship...

