Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Jazz Social

View through CrossRef
The Jazz Social was an online virtual jazz club which started during the first shutdowns for COVID in Australia from April to July 2020, now archived as ten videos on The Jazz Social YouTube channel. It was designed as an opportunity for musicians to perform and make up lost income when gigs disappeared overnight. The venture was arguably successful for a virtual jazz club: it employed 47 musicians, paying on average $116AUD for each performance; and each gig reached an average of 340 people, a considerably larger audience than a typical face-to-face jazz performance would attract. The Jazz Social gigs also brought together geographically diverse musicians and provided a platform for them to share music and discuss their experiences. With an understanding that Australia is entering a ‘new COVID normal environment’ which may have ongoing implications for face-to-face performance practice, this article reflects on what The Jazz Social has revealed about the nature of jazz performance, collaboration, community, virtuality, and the limitations and affordances of new technologies in producing knowledge through improvisation.
Title: Jazz Social
Description:
The Jazz Social was an online virtual jazz club which started during the first shutdowns for COVID in Australia from April to July 2020, now archived as ten videos on The Jazz Social YouTube channel.
It was designed as an opportunity for musicians to perform and make up lost income when gigs disappeared overnight.
The venture was arguably successful for a virtual jazz club: it employed 47 musicians, paying on average $116AUD for each performance; and each gig reached an average of 340 people, a considerably larger audience than a typical face-to-face jazz performance would attract.
The Jazz Social gigs also brought together geographically diverse musicians and provided a platform for them to share music and discuss their experiences.
With an understanding that Australia is entering a ‘new COVID normal environment’ which may have ongoing implications for face-to-face performance practice, this article reflects on what The Jazz Social has revealed about the nature of jazz performance, collaboration, community, virtuality, and the limitations and affordances of new technologies in producing knowledge through improvisation.

Related Results

Staging jazz pasts within commercial European jazz festivals: The case of the North Sea Jazz Festival
Staging jazz pasts within commercial European jazz festivals: The case of the North Sea Jazz Festival
This article examines the North Sea Jazz Festival in order to highlight the growing influence of both ‘convergence culture’ (Jenkins) and prevailing jazz mythologies upon the recep...
Jazz as a Black American Art Form: Definitions of the Jazz Preservation Act
Jazz as a Black American Art Form: Definitions of the Jazz Preservation Act
Jazz music and culture have experienced a surge in popularity after the passage of the Jazz Preservation Act (JPA) in 1987. This resolution defined jazz as a black American art for...
Festa do Jazz
Festa do Jazz
Since 2003, each year for three days, the cultural heart of Lisbon becomes a unique space, adopted and shaped by a diverse jazz ecology. Festa do Jazz is a jazz festival which show...
Jazz History in Thailand: From Profession to Music Education
Jazz History in Thailand: From Profession to Music Education
This qualitative research has collected exhaustive data on topics ranging from the history of jazz in Thailand to the genre entering the realm of music education. Cassettes, CDs, g...
Misreading Morrison, Mishearing Jazz: A Response to Toni Morrison's Jazz Critics
Misreading Morrison, Mishearing Jazz: A Response to Toni Morrison's Jazz Critics
Toni Morrison's fiction, we have been repeatedly told, embodies features taken from jazz. Her books have a “jazzy prose style,” express a “jazz aesthetic,” or are “literary j...
'Rasse' und Gesellschaft. Ernest Bornemans Ethnografie des Jazz ('Race' and Society. Ernest Borneman's Ethnography of Jazz)
'Rasse' und Gesellschaft. Ernest Bornemans Ethnografie des Jazz ('Race' and Society. Ernest Borneman's Ethnography of Jazz)
Der Artikel untersucht die Tätigkeit des deutschen Emigranten Ernest Borneman als Jazzkritiker. Der Autodidakt betrachtete den Jazz nicht als autonome Sphäre, als ästhetische Form,...
Constructions of jazz: How Jazz musicians present their collaborative musical practice
Constructions of jazz: How Jazz musicians present their collaborative musical practice
The collaborative processes of jazz improvising are of considerable academic interest as a unique form of creativity. While recent work highlights the utility of interviewing pract...

Recent Results

Psychoanalysis
Psychoanalysis
Abstract This chapter reviews four important works of psychoanalytic scholarship published in 2022: Steven Jaron, Christopher Bollas: A Contemporary Introduction; Ka...
Paris 1900
Paris 1900
Hardy S. George, French Art, March 2008, University of Washington Press, Distributed f...

Back to Top