Anna Mahler

Ken Russell’s Mahler (1974) constitutes aesthetically and historically one of the most idiosyncratic and rewarding composer biopics. With a train as locus of the diegesis, the narr...

This chapter examines a little-known item called ‘Justine Mahler’s Faust Notebook’ located in the Mahler-Rosé Room at the University of Western Ontario. This document, entirely in ...

Two weeks after the premiere of Mahler’s Eighth Symphony, Max Reinhardt produced Hofmannsthal’s adaption of Sophocles’ King Ödipus (in some respects an aesthetic counterpart to Mah...

Mahler in Context explores the institutions, artists, thinkers, cultural movements, socio-political conditions, and personal relationships that shaped Mahler's creative output. Foc...

Gustav Mahler’s anniversary years (2010–11) have provided an opportunity to rethink the composer’s position within the musical, cultural and multi-disciplinary landscapes of the tw...

French film critic Bazin takes the ‘myth of total cinema’ to reveal a picture of its real history and sketches phases of a dialectical history based on it. Bazin’s conceptual frame...

Mahler’s music offers the opportunity for an enrichment of the unilateral identity paradigm in musicological research through the concept of cultural and aesthetic hybridity. This ...

Abstract Bridging the nineteenth – and the twentieth-centuries, the late-Romantic tradition and the beginnings of modernism, Mahler’s music is an intimate reflect...