Javascript must be enabled to continue!
The New Annalistic: A Sketch of a Theory of History
View through CrossRef
This article argues for the establishment of a new, “annalistic” model of history and historical investigation. This implies a new concept of historical event: instead of being seen as an element within a historical narrative, the historical event is defined as the common reference point of many narratives that can be told about it. The annalistic model also implies a new concept of historical change: instead of being defined as the change of an “object” within a set of given historical parameters, historical change has to be perceived as the change of parameters related to a given historical object. A new concept of history follows from the annalistic model: instead of history being a metaphysical unity of space and time (the destiny of mankind, the positivist's world of facts), in which everything is linked to everything, it is instead the product of historical judgment carried out by those who design stories about their own past, present, and future. To the “annalist” a world is imaginable in which no history has existed, exists, or will exist.The article analyzes three aspects of the concept of historical time: it demonstrates the huge variety of temporal structures in history; it argues for the foundation of the representation of historical time in linguistic concepts; and it discusses the relationship of fictionality and reality in historical discourse. Finally, the annalistic model is compared to the traditional concept of history established by historicism in the nineteenth century.
Title: The New Annalistic: A Sketch of a Theory of History
Description:
This article argues for the establishment of a new, “annalistic” model of history and historical investigation.
This implies a new concept of historical event: instead of being seen as an element within a historical narrative, the historical event is defined as the common reference point of many narratives that can be told about it.
The annalistic model also implies a new concept of historical change: instead of being defined as the change of an “object” within a set of given historical parameters, historical change has to be perceived as the change of parameters related to a given historical object.
A new concept of history follows from the annalistic model: instead of history being a metaphysical unity of space and time (the destiny of mankind, the positivist's world of facts), in which everything is linked to everything, it is instead the product of historical judgment carried out by those who design stories about their own past, present, and future.
To the “annalist” a world is imaginable in which no history has existed, exists, or will exist.
The article analyzes three aspects of the concept of historical time: it demonstrates the huge variety of temporal structures in history; it argues for the foundation of the representation of historical time in linguistic concepts; and it discusses the relationship of fictionality and reality in historical discourse.
Finally, the annalistic model is compared to the traditional concept of history established by historicism in the nineteenth century.
Related Results
Annalistic Writing and the Development of Written Culture (Novgorod of the 11th and the First Half of the 12th Centuries)
Annalistic Writing and the Development of Written Culture (Novgorod of the 11th and the First Half of the 12th Centuries)
The author studies key moments in the history of early Novgorodian annalistic writing in the context of other written practices in Novgorod. The first, very brief annalistic notes ...
Book of paintings made in Portugal and Spain
Book of paintings made in Portugal and Spain
IE TCD MS 6208 is one of 5 sketchbooks kept by John Synge during his early 19th-century European travels. Where the works are finished they are sepia wash depictions of buildings i...
A study on the property of Shortform Contents of 'Sketch Comedy’: Focused on the YouTube channels, “Short Box” and “Nerdult”
A study on the property of Shortform Contents of 'Sketch Comedy’: Focused on the YouTube channels, “Short Box” and “Nerdult”
This study analyzes the concepts and characteristics of American sketch comedy and examines the re-conceptualization, characteristics, and empathy of Korean sketch comedy through Y...
Helix-C-Sketch in Engineering Design
Helix-C-Sketch in Engineering Design
This study improves the C-Sketch by elevating the sketch process from the group to the group after the individual sketch. This study was conducted between students from the Singapo...
Helix-C-Sketch in Engineering Design
Helix-C-Sketch in Engineering Design
This study improves the C-Sketch by elevating the sketch process from the group to the group after the individual sketch. This study was conducted between students from the Singapo...
Differential Operators on Sketches via Alpha Contours
Differential Operators on Sketches via Alpha Contours
A vector sketch is a popular and natural geometry representation depicting a 2D shape. When viewed from afar, the disconnected vector strokes of a sketch and the empty space around...
A Deep Learning Framework for Face Sketch Synthesis Using Generative Adversarial Network
A Deep Learning Framework for Face Sketch Synthesis Using Generative Adversarial Network
Abstract
Face sketch synthesis phenomenon, a kind of image-image translation, generates synthesized face/sketch with wide range of applications pertaining law enforcement a...
Extending Post-Interpretive Criticism: Additional Diagnostic Indices for Enhanced Phenomenological Fidelity in Art Criticism
Extending Post-Interpretive Criticism: Additional Diagnostic Indices for Enhanced Phenomenological Fidelity in Art Criticism
This paper extends Post-Interpretive Criticism (PIC) by introducing a second layer of diagnostic indices designed to evaluate the phenomenological fidelity of art criticism. While ...

