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On the Edge of Empire: Han–Yuan Sha Po
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Chapter 6 explores the contrasting evidence for activity spanning the Han, Six Dynasties–Tang, and Song–Yuan periods at Sha Po. The study of structural remains and artefactual evidence associated with Sha Po’s Six Dynasties–Tang kiln-based coastal industry is supported by the results of a programme of thermoluminescence dating of kiln remains. Collectively, the evidence suggests that Sha Po was a planned and imperially controlled kiln complex directed towards the production of salt, with lime as a process-related by-product. In a pattern typical across Hong Kong, the industry’s post-abandonment phase is associated with Northern Song and some Southern Song–Yuan ceramics.
Title: On the Edge of Empire: Han–Yuan Sha Po
Description:
Chapter 6 explores the contrasting evidence for activity spanning the Han, Six Dynasties–Tang, and Song–Yuan periods at Sha Po.
The study of structural remains and artefactual evidence associated with Sha Po’s Six Dynasties–Tang kiln-based coastal industry is supported by the results of a programme of thermoluminescence dating of kiln remains.
Collectively, the evidence suggests that Sha Po was a planned and imperially controlled kiln complex directed towards the production of salt, with lime as a process-related by-product.
In a pattern typical across Hong Kong, the industry’s post-abandonment phase is associated with Northern Song and some Southern Song–Yuan ceramics.
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