Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Introducing Mr Dibdin

View through CrossRef
The introduction provides an overview of Charles Dibdin’s life and work through a reading of his memoir, The Professional Life. This is a particularly problematic text, directed towards an early-nineteenth-century audience for whom Dibdin was best known as a writer of sentimental songs about heroic sailors. It consequently obscures the more diverse, miscellaneous aspects of his career, which can provide an index for the wide-ranging but overlapping cultural productions of the period. The introduction makes a case for the importance of resisting the narrative of specialization in order to appreciate both the range of Dibdin’s achievements, and the breadth of possibilities available in late Georgian culture. The introduction confronts a series of methodological problems which Dibdin’s self-fashioning raises, and gives an account of how each of the subsequent chapters helps us to reconceive of Dibdin’s importance by focusing on the interrelated networks in which he operated.
Title: Introducing Mr Dibdin
Description:
The introduction provides an overview of Charles Dibdin’s life and work through a reading of his memoir, The Professional Life.
This is a particularly problematic text, directed towards an early-nineteenth-century audience for whom Dibdin was best known as a writer of sentimental songs about heroic sailors.
It consequently obscures the more diverse, miscellaneous aspects of his career, which can provide an index for the wide-ranging but overlapping cultural productions of the period.
The introduction makes a case for the importance of resisting the narrative of specialization in order to appreciate both the range of Dibdin’s achievements, and the breadth of possibilities available in late Georgian culture.
The introduction confronts a series of methodological problems which Dibdin’s self-fashioning raises, and gives an account of how each of the subsequent chapters helps us to reconceive of Dibdin’s importance by focusing on the interrelated networks in which he operated.

Related Results

‘Mungo Here, Mungo There’
‘Mungo Here, Mungo There’
This chapter provides a definitive account of one of Dibdin’s best-known works, The Padlock, which has long been recognized as an important landmark in the representation of black ...
Dibdin and the Dilettantes
Dibdin and the Dilettantes
This chapter combines archival research with a broad range of biography and social history to shed light on a little understood aspect of Regency-era entertainment, the private the...
Dibdin at the Royal Circus
Dibdin at the Royal Circus
In 1782, Dibdin entered into a partnership with Charles Hughes to set up a new entertainment venue, the Royal Circus. Its unique feature was the combination of an equestrian ring w...
Dibdin and John Raphael Smith
Dibdin and John Raphael Smith
This interlude builds on insights into the relationship between song and visual culture by discussing in detail the relationship between Charles Dibdin and the artists George Morla...
Dibdin and Jane Austen
Dibdin and Jane Austen
Jane Austen was one of Dibdin’s greatest admirers and his songs feature prominently in her music collection. Yet the Dibdin songs she owned, with their bawdy comedy, political and ...
Dibdin and Robert Bloomfield
Dibdin and Robert Bloomfield
This interlude situates Dibdin in a milieu that may surprise us today, but that was a key comparison to many contemporaries: that is, alongside rural labouring-class poets, with pa...
Sondheim’s Genius
Sondheim’s Genius
This chapter explores the balance and contradictions between Stephen Sondheim’s auteur status and the collaborative world of popular musical theater within which he has worked. Foc...

Back to Top