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Sufi traditions in the later poetic works of Dzhaminat Kerimova
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The subject of this research is the artistic specificities of the poetic texts of religious-philosophical content of the modern Kumyk poetess of the late XX – early XXI century Dzhaminat Kerimova. The object of this research is her later poetic works. Relevance of this topic is substantiated by the need for creating a holistic picture of the final period of creative path of the poetess, which marks prevalence of the religious-philosophical aspects. Based on philological analysis of the poems, the author determines the religious-philosophical motifs; as well as explores the problem of person’s stance on religion, material world, and children’s view of their parents. The main conclusions consist in revelation of the religious-ethical motifs in later period of poetry (1990-2000). The author’s special contribution to this research lies in the analysis of language peculiarities of Kerimova’s poetic texts of religious-philosophical nature that give insight into the specificity of Sufi factor. The author was able to determine that the theme of religion, which most vividly depicts the specificities of the use and functionality of Sufi lexicon, is dominant in the later poetic texts. The scientific novelty consists in reference to the later period of poetry of Dzhaminat Kerimova, as her literary heritage and religious texts in particular, remain insufficiently studied in the context of religious literatures of the peoples of Dagestan. The author believes that the research of this topic would allow filling the gap in the modern Kumyk poetry, and thus, enrich not only Kumyk, but also Dagestani literature.
Title: Sufi traditions in the later poetic works of Dzhaminat Kerimova
Description:
The subject of this research is the artistic specificities of the poetic texts of religious-philosophical content of the modern Kumyk poetess of the late XX – early XXI century Dzhaminat Kerimova.
The object of this research is her later poetic works.
Relevance of this topic is substantiated by the need for creating a holistic picture of the final period of creative path of the poetess, which marks prevalence of the religious-philosophical aspects.
Based on philological analysis of the poems, the author determines the religious-philosophical motifs; as well as explores the problem of person’s stance on religion, material world, and children’s view of their parents.
The main conclusions consist in revelation of the religious-ethical motifs in later period of poetry (1990-2000).
The author’s special contribution to this research lies in the analysis of language peculiarities of Kerimova’s poetic texts of religious-philosophical nature that give insight into the specificity of Sufi factor.
The author was able to determine that the theme of religion, which most vividly depicts the specificities of the use and functionality of Sufi lexicon, is dominant in the later poetic texts.
The scientific novelty consists in reference to the later period of poetry of Dzhaminat Kerimova, as her literary heritage and religious texts in particular, remain insufficiently studied in the context of religious literatures of the peoples of Dagestan.
The author believes that the research of this topic would allow filling the gap in the modern Kumyk poetry, and thus, enrich not only Kumyk, but also Dagestani literature.
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