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Botero Pop, Pfizer Beagle Boys (2021)
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Boys Boys Boys
Boys Boys Boys
In this exhibition, we focus on Boys Boys Boys and their emotional expressions. Artists challenge traditional aesthetics, exploring vulnerability, desire, and intimacy. Through int...
Botero Pop, Minnesota Vikings (2022)
Botero Pop, Minnesota Vikings (2022)
Acrylic on genuine vintage American stock certificate (paper)., 8 × 12 in...
CHOSEN, Beagle Boys "Money Bag" (2021)
CHOSEN, Beagle Boys "Money Bag" (2021)
Paint markers on a vintage stock exchange certificate, 35 × 24.5 cm...
Orlando Agudelo Botero, RELIGIONES - Religions (2015)
Orlando Agudelo Botero, RELIGIONES - Religions (2015)
Oil on Canvas, 60 × 60 in...
Art by Son, Beagle boys (2022)
Art by Son, Beagle boys (2022)
Marker / water / strips on paper, 60 × 90 × 1 cm...
Courty, Boys, Boys, Boys - Blue Sexy Soho - Deluxe (2022)
Courty, Boys, Boys, Boys - Blue Sexy Soho - Deluxe (2022)
Framed Limited Edition PrintBlack-Core Mount & Framed in Contemporary Deep Black Wood Moulding., 101.6 × 87.6 cm...
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Portrait of Joseph Coolidge, Jr.
Portrait of Joseph Coolidge, Jr.
gold oval frame has opening on back revealing woven hair behind glass, with the letter "J"...
Forays into the Dark Field of Evolutionary Horror Film Research: A Meagre Harvest
Forays into the Dark Field of Evolutionary Horror Film Research: A Meagre Harvest
Abstract
Evolutionary or biocultural theorizing about horror films has been slow to gain traction in film studies, but the field has seen two recent book publicatio...
The Efficiency of Polymeric Coatings for the Conservation of Ancient Egyptian Wall Paintings, El-Qurna Necropolis, Upper Egypt
The Efficiency of Polymeric Coatings for the Conservation of Ancient Egyptian Wall Paintings, El-Qurna Necropolis, Upper Egypt
The present work aims at studying the long-term protection of damaged Egyptian wall paintings (tomb of Ameneminet, No. TT277, Ramesside Period), El-Qurna necropolis, Upper Egypt. T...
The ‘robed Christ’ in pre-Conquest sculptures of the Crucifixion
The ‘robed Christ’ in pre-Conquest sculptures of the Crucifixion
In the nineteenth century, John Romilly Allen confidently claimed that the iconography of the Crucifixion with the robed or ‘fully draped’ Christ was a phenomenon of Celtic art, fo...