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Panathenaic Prize Amphora (storage jar)

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Side A: Athena Promachos advancing to right clothed in an archaic Ionic chiton ornamented with a dotted border in white and provided with rudimentary sleeves ending in two swallow-tails thrown over each shoulder, Attic helmet with tall crest, and brandishing a spear in her right while covering herself with a shield which she holds in her left. Her head, helmet, and right hand project into the upper border. On both shoulders and breast, crossing cords in white with a central knot which originally supported th e aegis, but now has almost entirely disappeared. Traces of a bracelet on her right wrist and sandals on her feet in light brown. On either side of her a Doric column, supporting a figure, that on the left a female, helmeted figure (probably Athena), holding a tiller, that on the right Zeus with sceptre and Nike. Along each column the inscriptions "kionedon," on the left TON ATHENETHEN ATHLON, on the right THEIOPHRASTOS ERXE. Side B: Athletic scene. In the center, two nude boxers full front, their hands bound with the cestus. At the right a trainer to left wearing a cloak draped over his left arm and a wreath in his hair, holding a staff in his left, his right outstretched. At the left a female figure draped entirely in a mantle which leaves only the upper part of her face bare, the lower part being outlined beneath it, leaning on a Doric column. Beside her head OLYMPIAS. Spout, shoulder, handles, and base glazed, with a reserved band on upper part of base. Palmette chain on neck at junction of handles and below an elongated tongue pattern shorter on B than on A. Panel on each side containing the design, that of A longer than B. Applied white is used for the exposed flesh surfaces of Athena and the details of her drapery, as well as those of the figures on the columns on A, head and feet of Olympias, wreath and staff of trainer and the column on B. Execution careful with good incisions, originally filled with white. Said to have come from Capua. Intact, except for the rim, which has been broken and repaired.
Department of Ancient and Byzantine Art & Numismatics [Rome 1899] sold; to Joseph C. Hoppin Pomfret CT (1899-1925) bequest; to Fogg Art Museum 1925. Harvard Art Museums/Arthur M. Sackler Museum Bequest of Joseph C. Hoppin
Title: Panathenaic Prize Amphora (storage jar)
Description:
Side A: Athena Promachos advancing to right clothed in an archaic Ionic chiton ornamented with a dotted border in white and provided with rudimentary sleeves ending in two swallow-tails thrown over each shoulder, Attic helmet with tall crest, and brandishing a spear in her right while covering herself with a shield which she holds in her left.
Her head, helmet, and right hand project into the upper border.
On both shoulders and breast, crossing cords in white with a central knot which originally supported th e aegis, but now has almost entirely disappeared.
Traces of a bracelet on her right wrist and sandals on her feet in light brown.
On either side of her a Doric column, supporting a figure, that on the left a female, helmeted figure (probably Athena), holding a tiller, that on the right Zeus with sceptre and Nike.
Along each column the inscriptions "kionedon," on the left TON ATHENETHEN ATHLON, on the right THEIOPHRASTOS ERXE.
Side B: Athletic scene.
In the center, two nude boxers full front, their hands bound with the cestus.
At the right a trainer to left wearing a cloak draped over his left arm and a wreath in his hair, holding a staff in his left, his right outstretched.
At the left a female figure draped entirely in a mantle which leaves only the upper part of her face bare, the lower part being outlined beneath it, leaning on a Doric column.
Beside her head OLYMPIAS.
Spout, shoulder, handles, and base glazed, with a reserved band on upper part of base.
Palmette chain on neck at junction of handles and below an elongated tongue pattern shorter on B than on A.
Panel on each side containing the design, that of A longer than B.
Applied white is used for the exposed flesh surfaces of Athena and the details of her drapery, as well as those of the figures on the columns on A, head and feet of Olympias, wreath and staff of trainer and the column on B.
Execution careful with good incisions, originally filled with white.
Said to have come from Capua.
Intact, except for the rim, which has been broken and repaired.

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