Javascript must be enabled to continue!
America Abridged: Matthaeus Merian, Johann Ludwig Gottfried, and the Apotheosis of the De Bry Collection of Voyages
View through CrossRef
In 1631, Matthaeus Merian and Johann Ludwig Gottfried published a one-volume abridgment of the monumental America series issued by Theodor De Bry and his two sons. Historia Antipodum can be considered the apotheosis of the collection of voyages to the New World. This article argues that the abridgment, rather than the independent publication it is sometimes taken to be, was constructed with the same editorial strategy in mind as earlier De Bry volumes. Heathen beliefs in the western hemisphere were further emphasized, European superiority was visualized more clearly, and the predilection for spectacular images was stronger than ever. In many ways, the modifications Merian and Gottfried made to both texts and illustrations surpassed the changes made for the original volumes of America. In bringing together these representations in a single, affordable volume, Merian and Gottfried prolonged the influence of the De Bry collection and its carefully manipulated representations until well into the eighteenth century.
Title: America Abridged: Matthaeus Merian, Johann Ludwig Gottfried, and the Apotheosis of the De Bry Collection of Voyages
Description:
In 1631, Matthaeus Merian and Johann Ludwig Gottfried published a one-volume abridgment of the monumental America series issued by Theodor De Bry and his two sons.
Historia Antipodum can be considered the apotheosis of the collection of voyages to the New World.
This article argues that the abridgment, rather than the independent publication it is sometimes taken to be, was constructed with the same editorial strategy in mind as earlier De Bry volumes.
Heathen beliefs in the western hemisphere were further emphasized, European superiority was visualized more clearly, and the predilection for spectacular images was stronger than ever.
In many ways, the modifications Merian and Gottfried made to both texts and illustrations surpassed the changes made for the original volumes of America.
In bringing together these representations in a single, affordable volume, Merian and Gottfried prolonged the influence of the De Bry collection and its carefully manipulated representations until well into the eighteenth century.
Related Results
Les voyages de Victor-Emmanuel III
Les voyages de Victor-Emmanuel III
Les voyages tinrent une place non négligeable dans le règne de Victor-Emmanuel III, roi d’Italie de 1900 à 1946. Contrairement à l’image effacée de ce roi, l’hypothèse défendue ici...
Rezension von: Merian, Matthaeus, Topographia Franconiae
Rezension von: Merian, Matthaeus, Topographia Franconiae
Matthäus Merian: Topographia Franconiae. Faksimile-Ausgabe. (Nach der 2. Ausgabe von 1656.) Mit Nachwort von Lucas Heinrich Wüthrich 1962. Kassel: Bärenreuter. 118 und 16 Seiten. 4...
Rezension von: Merian, Matthaeus, Topographia Sueviae
Rezension von: Merian, Matthaeus, Topographia Sueviae
Matthäus Merian: Topographia Sueviae. Frankfurt am Main 1643. Neue Ausgabe herausgegeben von Lucas Heinrich Wütherich 1960. Kassel: Bärenreiter-Verlag. 232 S. (Register, Nachwort),...
Rezension von: Merian, Matthaeus; Zeiller, Martin, Baden
Rezension von: Merian, Matthaeus; Zeiller, Martin, Baden
Matthäus Merian/Martin Zeiller: Baden. Beschreibung von Städten und Orten im Badnerland. Verlag Rombach Freiburg 1979. 140 Seiten, 40 Stiche, 1 Übersichtskarte. Pappband DM 29,-...
Crossing Gazes and the Silence of the “Indians”: Theodor De Bry and Guaman Poma de Ayala
Crossing Gazes and the Silence of the “Indians”: Theodor De Bry and Guaman Poma de Ayala
Theodor De Bry and his family's volumes of the America series, as well as their entire collection of narratives and engravings depicting the newly “discovered” worlds of East and W...
Geryon the Hero, Herakles the God
Geryon the Hero, Herakles the God
AbstractThis paper re-evaluates the narrative roles occupied by Geryon and Herakles in Stesichoros’ Geryoneis in the light of contemporary thinking about Herakles’ apotheosis. It p...
I Am Cleopatra: The Seduction and Stoicism of a Newly Identified Painting by Matthäus Merian the Younger (1621 – 1687)
I Am Cleopatra: The Seduction and Stoicism of a Newly Identified Painting by Matthäus Merian the Younger (1621 – 1687)
Abstract
A previously anonymous Death of Cleopatra is here attributed to the Basel-born painter Matthäus Merian the Younger. Besides crucial stylistic connections wi...
La princesa que salvó al capitán: la alegorización del cuerpo de Pocahontas en los grabados de Robert Vaughan (1624) y Matthäus Merian (ca. 1634)
La princesa que salvó al capitán: la alegorización del cuerpo de Pocahontas en los grabados de Robert Vaughan (1624) y Matthäus Merian (ca. 1634)
El artículo analiza, bajo el método iconográfico, el grabado de Robert Vaughan recogido en The Generall Historie of Virginia, New-England, and the Summer Isles, de John Smith, y la...

