Islamic Print Media

The late 19th century saw the rise of a new textual object: Islamic print media. Whether journals, magazines, or books, these texts were self-consciously religious and reflected broader shifts in technology, literacy, and religious authority. Islamic print media was distinct from previous mediums for transmitting Islamic knowledge by its basic technological component: rather than a manuscript that must be copied by hand (and is thus produced in response to demand from particular purchasers), the cost of print media was bound up primarily in the original production process and erred on the side of greater, rather than lesser, diffusion. Over the past nearly century and a half, a still wider array of forms of Islamic print media have emerged, ranging from journals to magazines to short pocket-sized pamphlets. The rise and spread of Islamic print media was part and parcel of a broader shift in authority in Muslim-majority societies. It was a time of the decisive passing of an old order of urban notables by which prominent religious, economic, and military chiefs served as mediators between ruler and ruled. In its stead, new bureaucratic elites, often the product of state educational institutions, emerged as key participants in constituting a broader public sphere. In this context, the scholarly elite split between those who derived their authority primarily from association with modernizing states and others who sought to preserve the traditional independence of the ulama. It was a time during which Sufi orders struggled to retain their historic mediating function and declined in the face of an increasing powerful state (and the seizure of Islamic endowments controlled by these orders), as well as the rise of mass political movements. It was a time during which modernizing states laid increasing claim to the daily lives of its citizens through education, employment, and incarceration. It was also a time of rising literacy, which opened up new opportunities for scholars and lay men and women alike to define Islam for a broader audience. Crucially for those interested in affecting change, it was a time of popular protests across the Middle East and South Asia. Islamic print media was both a key technology and a central site of contestation in the midst of these momentous transformations. It would be used by lay persons who sought to challenge the old scholarly elite, as well as by these elites to retain or reconstitute their authority in radically different political, cultural, and religious circumstances. At the heart of the battle over Islamic print media was a basic question of authority: Who should be able to speak in the name of Islam? To what extent could Islamic print media producers take financial considerations into account? Should they include advertising, and if so, what kind of products were religiously legitimate? How should one treat an Islamic journal or magazine—was it a holy object or everyday ephemera? How was it similar to and different from non-Islamic print media? These tensions and questions, present in other forms of Islamic media today, would never be fully resolved.