Search engine for discovering works of Art, research articles, and books related to Art and Culture
Javascript must be enabled to continue!
Joseph Tichatschek as Rienzi and Henriette Kriete-Wüst as Adriano in Richard Wagner’s “Rienzi,” final 3rd act. Hoftheater Dresden, about 1843 (premiere October 20, 1842). Watercolour of E. P. Leyser after drawing of E. Laddey; 40 x 34 cm (without frame).
View through Europeana Collections
Joseph Tichatschek as Rienzi and Henriette Kriete-Wüst as Adriano in Richard Wagner’s “Rienzi,” final 3rd act. Hoftheater Dresden, about 1843 (premiere October 20, 1842). Watercolour of E. P. Leyser after drawing of E. Laddey; 40 x 34 cm (without frame). Graupa: Richard Wagner Museum, Inv.-No. 50
Title: Joseph Tichatschek as Rienzi and Henriette Kriete-Wüst as Adriano in Richard Wagner’s “Rienzi,” final 3rd act. Hoftheater Dresden, about 1843 (premiere October 20, 1842). Watercolour of E. P. Leyser after drawing of E. Laddey; 40 x 34 cm (without frame).
Description:
Joseph Tichatschek as Rienzi and Henriette Kriete-Wüst as Adriano in Richard Wagner’s “Rienzi,” final 3rd act.
Hoftheater Dresden, about 1843 (premiere October 20, 1842).
Watercolour of E.
P.
Leyser after drawing of E.
Laddey; 40 x 34 cm (without frame).
Graupa: Richard Wagner Museum, Inv.
-No.
50.
Related Results
Joseph Tichatschek in the title role for the premiere of Richard Wagner’s opera “Tannhäuser und der Singer Joseph auf Wartburg.” Royal Saxon Court Theater Dresden, 19 October 1845 under the direction of the composer. Steel engraving by A. H. Payne after d
Joseph Tichatschek in the title role for the premiere of Richard Wagner’s opera “Tannhäuser und der Singer Joseph auf Wartburg.” Royal Saxon Court Theater Dresden, 19 October 1845 under the direction of the composer. Steel engraving by A. H. Payne after d
Joseph Tichatschek in the title role for the premiere of Richard Wagner’s opera “Tannhäuser und der Singer Joseph auf Wartburg.” Royal Saxon Court Theater Dresden, 19 October 1845 ...
Venturo Rocchetti, called Venturini, as Linceo in “Ipermestra” by Metastasio and Hasse. Hoftheater Dresden, premiere in Hubertusburg, 7 October 1751. Feather drawing by F. Ponte, sheet 3 in: Vestiarium of the opera “Ipermestra.” Dresden: Copper engraving
Venturo Rocchetti, called Venturini, as Linceo in “Ipermestra” by Metastasio and Hasse. Hoftheater Dresden, premiere in Hubertusburg, 7 October 1751. Feather drawing by F. Ponte, sheet 3 in: Vestiarium of the opera “Ipermestra.” Dresden: Copper engraving
Venturo Rocchetti, called Venturini, as Linceo in “Ipermestra” by Metastasio and Hasse. Hoftheater Dresden, premiere in Hubertusburg, 7 October 1751. Feather drawing by F. Ponte, s...
Portrait Joseph Tichatschek (F. Hanfstaengl after C. l 'Allemand; 1842). Lithography. Dresden: City Museum
Portrait Joseph Tichatschek (F. Hanfstaengl after C. l 'Allemand; 1842). Lithography. Dresden: City Museum
Portrait Joseph Tichatschek (F. Hanfstaengl after C. l 'Allemand; 1842). Lithography. Dresden: City Museum...
Venturo Rocchetti, called Venturini, as Amilcare in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 7 in: Vestiarium of the opera “Attilio Regolo.” Dresden: Copper engraving cabin
Venturo Rocchetti, called Venturini, as Amilcare in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 7 in: Vestiarium of the opera “Attilio Regolo.” Dresden: Copper engraving cabin
Venturo Rocchetti, called Venturini, as Amilcare in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 7 in...
Angelo Amorevoli as Manlio in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 4 in: Vestiarium of the opera “Attilio Regolo.” Dresden: Copper engraving cabinet Ca 103
Angelo Amorevoli as Manlio in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 4 in: Vestiarium of the opera “Attilio Regolo.” Dresden: Copper engraving cabinet Ca 103
Angelo Amorevoli as Manlio in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 4 in: Vestiarium of the op...
Rosa Negri Pavona (Negri-Risack) as a parce in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 3 in: Vestiarium of the opera “Attilio Regolo.” Dresden: Copper engraving cabinet Ca
Rosa Negri Pavona (Negri-Risack) as a parce in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 3 in: Vestiarium of the opera “Attilio Regolo.” Dresden: Copper engraving cabinet Ca
Rosa Negri Pavona (Negri-Risack) as a parce in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 3 in: Ves...
Rosa Negri Pavona (Negri-Risack) as a parce in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 3 in: Vestiarium of the opera “Attilio Regolo.” Dresden: Copper engraving cabinet Ca
Rosa Negri Pavona (Negri-Risack) as a parce in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 3 in: Vestiarium of the opera “Attilio Regolo.” Dresden: Copper engraving cabinet Ca
Rosa Negri Pavona (Negri-Risack) as a parce in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 3 in: Ves...