Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

TÜRK SİNEMASINDA “HACI BEKTAŞ VELİ” TEMSİLLERİ

View through CrossRef
Hacı Bektaş Veli is one of the most important names of Turkish Islam. Various sources and groups paint different and completely opposite Hacı Bektaş portraits. While some describe Hacı Bektaş as a Sunni mystic, others consider him a representative of heterodox Islam. In addition, there are those who turn Hacı Bektaş into a purely political figure and show him as a symbol of resistance that stands by the working people against injustices. It is possible to come across cultural references and representations of this belief in cinema as a mass art. In this direction, the study aims to reveal the reflections of Hacı Bektaş representations, which have a great importance in the beliefs and values of Turkish society, but have discussions between his real and hisopic personality, on the cinema. Through the descriptive analysis and discourse analysis included in the qualitative research methodology, how a tradition reflected in Turkish cinema is defined and how it is interpreted has been evaluated through sample films. In the applied descriptive analysis, instead of interviews, the thematic framework in the films was set up and how it was evaluated, while it was tried to reveal how filmmakers and directors with different ideas reflect these values in the social structure they are in and their views on Hacı Bektaş Veli. Only one Hacı Bektaş Veli movie has been shot since its inception. This film is Hacı Bektaş’ı Veli (Those who Turkified Anatolia), which was shot by T. Fikret Uçar in 1967 and tried to convey sections from the lives of religious figures called “hazli films” within the aesthetics of Yeşilçam. In addition to the movie Hacı Bektaş Veli, the characters of Hacı Bektaş Veli are also encountered in the movies where Yunus Emre's life story is told. In the study, it has been determined that the representations of Hacı Bektaş examined in Turkish cinema vary in relation to the ideological thoughts and beliefs of the directors or screenwriters. Keywords: Cinema, Turkish Cinema, Hacı Bektaş Veli, Yunus Emre, Descriptive Analysis.
Türk Kültürü Açısından Hacı Bektaş-ı Veli Araştırmaları Uygulama ve Araştırma Merkezi
Title: TÜRK SİNEMASINDA “HACI BEKTAŞ VELİ” TEMSİLLERİ
Description:
Hacı Bektaş Veli is one of the most important names of Turkish Islam.
Various sources and groups paint different and completely opposite Hacı Bektaş portraits.
While some describe Hacı Bektaş as a Sunni mystic, others consider him a representative of heterodox Islam.
In addition, there are those who turn Hacı Bektaş into a purely political figure and show him as a symbol of resistance that stands by the working people against injustices.
It is possible to come across cultural references and representations of this belief in cinema as a mass art.
In this direction, the study aims to reveal the reflections of Hacı Bektaş representations, which have a great importance in the beliefs and values of Turkish society, but have discussions between his real and hisopic personality, on the cinema.
Through the descriptive analysis and discourse analysis included in the qualitative research methodology, how a tradition reflected in Turkish cinema is defined and how it is interpreted has been evaluated through sample films.
In the applied descriptive analysis, instead of interviews, the thematic framework in the films was set up and how it was evaluated, while it was tried to reveal how filmmakers and directors with different ideas reflect these values in the social structure they are in and their views on Hacı Bektaş Veli.
Only one Hacı Bektaş Veli movie has been shot since its inception.
This film is Hacı Bektaş’ı Veli (Those who Turkified Anatolia), which was shot by T.
Fikret Uçar in 1967 and tried to convey sections from the lives of religious figures called “hazli films” within the aesthetics of Yeşilçam.
In addition to the movie Hacı Bektaş Veli, the characters of Hacı Bektaş Veli are also encountered in the movies where Yunus Emre's life story is told.
In the study, it has been determined that the representations of Hacı Bektaş examined in Turkish cinema vary in relation to the ideological thoughts and beliefs of the directors or screenwriters.
Keywords: Cinema, Turkish Cinema, Hacı Bektaş Veli, Yunus Emre, Descriptive Analysis.

Related Results

HACI BEKTAŞ VELİ’NİN TASAVVUF DÜŞÜNCESİNDE MARİFET VE ARİFLER
HACI BEKTAŞ VELİ’NİN TASAVVUF DÜŞÜNCESİNDE MARİFET VE ARİFLER
Hacı Bektaş Veli is a person who had important effects on the formation of the religious and mystical thought of Anatolia. Understanding his ṣūfī thought and mission is important f...
YAŞAYAN BEKTAŞİLİK BAĞLAMINDA AKSARAYLI ÂŞIK MEHMET ÇİL’DE HACI BEKTAŞ ALGISI
YAŞAYAN BEKTAŞİLİK BAĞLAMINDA AKSARAYLI ÂŞIK MEHMET ÇİL’DE HACI BEKTAŞ ALGISI
Various beliefs and practices of the Bektashi order, which was founded by the followers of Hacı Bektaş-i Veli, one of the leaders of Turkish mysticism, are still alive in some Turk...
Rus Kaynaklarına Göre Hacı Bektaş Velî ve Bektaşilik
Rus Kaynaklarına Göre Hacı Bektaş Velî ve Bektaşilik
Bektaşilik tarikatının kurucusu olarak kabul edilen Hacı Bektaş Velî (ö. 1271 [?]), Türk-İslâm düşünce ve inanç geleneklerinin önde gelen temsilcilerinden biridir. O, hem tarihsel ...
HALK EĞİTİMİNDE BİR ÖNCÜ: HACI BEKTAŞ VELİ
HALK EĞİTİMİNDE BİR ÖNCÜ: HACI BEKTAŞ VELİ
Hacı Bektaş Veli, Horasan erenlerinden olup, Anadolu’ya gelip yerleşmiş bir Türk sufisidir. Anadolu’nun Türkleşmesi ve İslamlaşmasında onun çabaları görmezlikten gelinemez. Hacı Be...
KAYNAKLARIN IŞIĞINDA HACI BEKTAŞ VELİ - SARI SALTIK GAZİ İLİŞKİLERİ
KAYNAKLARIN IŞIĞINDA HACI BEKTAŞ VELİ - SARI SALTIK GAZİ İLİŞKİLERİ
Bu çalışma; Hacı Bektaş Velî ve Sarı Saltık Gazi’nin ilişkileri ve ortak özelliklerini içermektedir. Hacı Bektaş Velî ve Sarı Saltık Gazi, Ahmed Yesevî öğretisi ile yetişmişler, öm...
Ehl-i Hakk’ın Görüş ve Eserlerinde Hacı Bektaş Veli: Ehl-i Hakk, Bektaşiyye ve Haksariye Arasındaki Benzerlikler
Ehl-i Hakk’ın Görüş ve Eserlerinde Hacı Bektaş Veli: Ehl-i Hakk, Bektaşiyye ve Haksariye Arasındaki Benzerlikler
Bu çalışma, Ehl-i Hakk metin, inanç ve sözlü kültüründe Hacı Bektaş Veli’yi konu edinmektedir. Ehl-i Hakk metinlerinde Hacı Bektaş Veli’nin ismi çok az geçmektedir. Ehl-i Hakklar H...
EMİNE IŞINSU’NUN “HACI BEKTAŞ” ROMANINDA KURGUSAL ÖGELER VE ROMANDA HACI BEKTAŞ VELİ’NİN TASAVVUFÎ ÖĞRETİLERİ
EMİNE IŞINSU’NUN “HACI BEKTAŞ” ROMANINDA KURGUSAL ÖGELER VE ROMANDA HACI BEKTAŞ VELİ’NİN TASAVVUFÎ ÖĞRETİLERİ
Emine Işınsu, çocukluğunu Anadolu’da geçirmiş, Anadolu coğrafyasının millî ve kültürel yapısını özümseyerek büyümüş, eserlerini de bu yapıya bağlı kalmak suretiyle oluşturmuş öneml...
BEKTAŞ EFENDİ TÜRBESİ
BEKTAŞ EFENDİ TÜRBESİ
Bu çalışmada, Nevşehir ili, Hacıbektaş ilçesinde yer alan ve 17. yüzyılın başında hayatını kaybeden, Hacı Bektaş Veli’nin soyundan gelen Bektaş Efendi’nin medfûn olduğu türbe tanıt...

Back to Top