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Magda Donato: una pioniera del giornalismo spagnolo
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Magda Donato occupies an important position within the frame of feminine joumalism in the first decades of XX century, but she deserves to be rescued from an unjust oblivion. This article studies Dona to' s collaboration with one of the most prestigious magazines of the time, España, founded and directed by the philosopher José Ortega y Gasset. Next to the most pre-eminent signatures of the culture of the time, Magda Donato' s arti.cles do not belong to an occasional collaboration; on the contrary, they constitute a column that faces the controversia! themes of feminism, women's emandpati.on and family law. The joumalist distinguishes herself by discoursive strategies which involve the reader and, at the same time, she produces a fragmentation of the point of view thanks to the use of a first person that doesn't always express her voice and her real ideas: sometimes it represents the prejudices that Donato wants to fight. By this tecnique, the writer pushes the reader (espedally women) to think independently and critically about the themes that animated the debate of that time.
Editorial Universidad de Sevilla
Title: Magda Donato: una pioniera del giornalismo spagnolo
Description:
Magda Donato occupies an important position within the frame of feminine joumalism in the first decades of XX century, but she deserves to be rescued from an unjust oblivion.
This article studies Dona to' s collaboration with one of the most prestigious magazines of the time, España, founded and directed by the philosopher José Ortega y Gasset.
Next to the most pre-eminent signatures of the culture of the time, Magda Donato' s arti.
cles do not belong to an occasional collaboration; on the contrary, they constitute a column that faces the controversia! themes of feminism, women's emandpati.
on and family law.
The joumalist distinguishes herself by discoursive strategies which involve the reader and, at the same time, she produces a fragmentation of the point of view thanks to the use of a first person that doesn't always express her voice and her real ideas: sometimes it represents the prejudices that Donato wants to fight.
By this tecnique, the writer pushes the reader (espedally women) to think independently and critically about the themes that animated the debate of that time.
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