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Niccolò Niccoli, the Man Who Was Nothing
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This chapter examines how Niccolò Niccoli (1364–1437), the humanist closest to Cosimo de’ Medici and hated by many scholars from his time to our own, represented a negation of contemporary culture—a negation not only of traditionalism but of those, such as Leonardo Bruni, who made compromises with it. Included here is a discussion of the origins of the humanist script, humanist orthography, and book hunting. For Niccoli, the intellectual legacy of the late Middle Ages had to be rejected upfront; then a new society could be created on the model of classical antiquity. The chapter argues that Niccoli’s notorious aversion to politics was simply an aversion to oligarchic politics and culture. He was always “political,” as a critic of the oligarchs, and as soon as the Medici took power he was more than happy to take political office.
Title: Niccolò Niccoli, the Man Who Was Nothing
Description:
This chapter examines how Niccolò Niccoli (1364–1437), the humanist closest to Cosimo de’ Medici and hated by many scholars from his time to our own, represented a negation of contemporary culture—a negation not only of traditionalism but of those, such as Leonardo Bruni, who made compromises with it.
Included here is a discussion of the origins of the humanist script, humanist orthography, and book hunting.
For Niccoli, the intellectual legacy of the late Middle Ages had to be rejected upfront; then a new society could be created on the model of classical antiquity.
The chapter argues that Niccoli’s notorious aversion to politics was simply an aversion to oligarchic politics and culture.
He was always “political,” as a critic of the oligarchs, and as soon as the Medici took power he was more than happy to take political office.
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