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Schapiro, Meyer (1904–1996)

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Art historian Meyer Schapiro was born in Šiauliai [Shavley], Lithuania, on September 23, 1904, but soon immigrated to the United States with his family in 1907. Schapiro grew up in the working-class, left wing, Jewish immigrant neighborhood of Brownsville, Brooklyn. He graduated from Columbia University with a Ph.D. in fine arts and archaeology in 1935 (having completed his dissertation in 1929). He spent his career at Columbia, though he also taught regularly at the New School for Social Research from 1936 until 1952. While trained as a medievalist, Schapiro was an early proponent of modern art, and over the course of his career he taught courses, lectured, and published on both fields. Through his lectures and publications, Schapiro’s ideas shaped several generations of artists and art historians. Though he published several books including those on Post-Impressionist artists Paul Cézanne (1950) and Vincent van Gogh (1952), his most respected ideas on both medieval and modern topics were published in articles. Schapiro is known for his innovative and interdisciplinary approaches to art history; he explored new art historical methodologies through the use of Marxism, psychoanalysis, and semiotics. He is also known for his essay "Style" (1953), a systematic consideration of past and current theories of style.
Title: Schapiro, Meyer (1904–1996)
Description:
Art historian Meyer Schapiro was born in Šiauliai [Shavley], Lithuania, on September 23, 1904, but soon immigrated to the United States with his family in 1907.
Schapiro grew up in the working-class, left wing, Jewish immigrant neighborhood of Brownsville, Brooklyn.
He graduated from Columbia University with a Ph.
D.
in fine arts and archaeology in 1935 (having completed his dissertation in 1929).
He spent his career at Columbia, though he also taught regularly at the New School for Social Research from 1936 until 1952.
While trained as a medievalist, Schapiro was an early proponent of modern art, and over the course of his career he taught courses, lectured, and published on both fields.
Through his lectures and publications, Schapiro’s ideas shaped several generations of artists and art historians.
Though he published several books including those on Post-Impressionist artists Paul Cézanne (1950) and Vincent van Gogh (1952), his most respected ideas on both medieval and modern topics were published in articles.
Schapiro is known for his innovative and interdisciplinary approaches to art history; he explored new art historical methodologies through the use of Marxism, psychoanalysis, and semiotics.
He is also known for his essay "Style" (1953), a systematic consideration of past and current theories of style.

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Mechanism of forgetfulness and its modification in the context of image viewing: A study of the "Signorelli" case
Mechanism of forgetfulness and its modification in the context of image viewing: A study of the "Signorelli" case
This research builds upon Meyer Schapiro's and Hubert Damisch's scrutiny of Freud's renowned case of forgetting. In The Psychopathology of Everyday Life (1901b), Freud explored the...
Sensory Qualities as Signs? Meyer Schapiro as a Pioneer of the Semiotics of ‘Visual Form’
Sensory Qualities as Signs? Meyer Schapiro as a Pioneer of the Semiotics of ‘Visual Form’
The concept and nature of Form in linguistic as well as visual signs has been debated among several semioticians and art historians. Some notable analytical attempts have been put ...
Meyer Schapiro, the Jewish Museum, and Living Artists: A Scholar’s Overlooked Activism
Meyer Schapiro, the Jewish Museum, and Living Artists: A Scholar’s Overlooked Activism
Abstract Meyer Schapiro was among a handful of New York’s most prominent Jewish thinkers writing about modern art during the post-Second World War period, just as th...
Expressive Things: Art Theories of Henri Focillon and Meyer Schapiro Reconsidered
Expressive Things: Art Theories of Henri Focillon and Meyer Schapiro Reconsidered
The chapter discusses the art theories of Henri Focillon and Meyer Schapiro in order to explore the potential of an art history based on speculative realism. The focus lies on thre...
Meyer Schapiro's Jewish Unconscious
Meyer Schapiro's Jewish Unconscious
In 1994, Margaret Olin, reviewing the fourth volume of Meyer Schapiro's Selected Papers, observed that Schapiro “only seldom addressed [his] Jewish heritage”. Surely, she suggests,...
On Freud's Forgetting of “Signorelli”
On Freud's Forgetting of “Signorelli”
Between 1960 and 1980, American art-historian Meyer Schapiro's thoughts returned frequently to the first page of Freud's The Psychopathology of Everyday Life, in which the author d...
Letters, 1972–1973
Letters, 1972–1973
Between January 1972 and December 1973 French art-historian/philosopher Hubert Damisch and American art-historian Meyer Schapiro exchanged forty-four letters. During this short per...
LA TEORÍA DEL <i>FEMMAGE </i>DE MELISSA MEYER Y MIRIAM SCHAPIRO
LA TEORÍA DEL <i>FEMMAGE </i>DE MELISSA MEYER Y MIRIAM SCHAPIRO
El objetivo de este artículo es realizar un análisis crítico de la propuesta del femmage que Melissa Meyer y Miriam Schapiro teorizaron en su ensayo de 1977 publicado en la revista...

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