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Propaganda

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Propaganda has a rich history and an equally rich literature. Scholars do not always agree on a single definition of propaganda, but Jowett and O’Donnell’s 2019 book, Propaganda and Persuasion (Los Angeles: SAGE), defines it as a “deliberate, systematic attempt to shape perceptions, manipulate cognitions, and direct behavior to achieve a response that furthers the desired intent of the propagandist.” Persuasive communication itself has been used since the beginning of communication. The term “propaganda,” however, did not come into use until the 1600s and was first associated with disseminating or promoting particular ideas, such as propagating religious faith. Historical analysis of propaganda has focused on the 20th and 21st century when propaganda was considered a widespread issue and has increasingly become an accepted area of study. Given the widespread use of atrocity propaganda in World War I and the power of the Nazi propaganda machine in World War II, 20th-century wars generally receive the most attention from scholars. Historians and communications scholars have attempted to remedy this more modern focus with major anthologies spanning earlier periods. However, as propaganda can often take a host of forms and did not come into the general modern meaning of the word until the 20th century, studies of earlier periods often focus on communication or iconography. Much of the English-language work done on propaganda also skews extremely toward the United States and the United Kingdom. Some of the earliest works on propaganda came from those who worked in propaganda in some capacity. These early works have gradually been supplemented with rigorous historical and communication analyses. The two fields are the most prolific in their study of propaganda, but art historians have also added to the understanding of the visual culture of propaganda and scholars in other fields such as sociology, politics, and rhetoric have also added to the literature on propaganda. Scholars also have devoted attention to the close relationship between propaganda and technology. Together these efforts make for a diverse field that examines propaganda products, their creation, their dissemination, and their purpose. Because of the ephemeral nature of most propaganda and the way various archives have or have not been available to scholars, propaganda can be a challenging topic of study. Some works attempt to study the reception of propaganda while others focus on the creation and dissemination process. Monographs focusing on a single country or conflict outnumber those works spanning conflicts and continents. Several notable exceptions have comparative analysis or bring together works from multiple perspectives. Propaganda will continue to be of vital interest to scholars and hopefully will include works from scholars with increasing language skills and access to diverse archives.
Oxford University Press
Title: Propaganda
Description:
Propaganda has a rich history and an equally rich literature.
Scholars do not always agree on a single definition of propaganda, but Jowett and O’Donnell’s 2019 book, Propaganda and Persuasion (Los Angeles: SAGE), defines it as a “deliberate, systematic attempt to shape perceptions, manipulate cognitions, and direct behavior to achieve a response that furthers the desired intent of the propagandist.
” Persuasive communication itself has been used since the beginning of communication.
The term “propaganda,” however, did not come into use until the 1600s and was first associated with disseminating or promoting particular ideas, such as propagating religious faith.
Historical analysis of propaganda has focused on the 20th and 21st century when propaganda was considered a widespread issue and has increasingly become an accepted area of study.
Given the widespread use of atrocity propaganda in World War I and the power of the Nazi propaganda machine in World War II, 20th-century wars generally receive the most attention from scholars.
Historians and communications scholars have attempted to remedy this more modern focus with major anthologies spanning earlier periods.
However, as propaganda can often take a host of forms and did not come into the general modern meaning of the word until the 20th century, studies of earlier periods often focus on communication or iconography.
Much of the English-language work done on propaganda also skews extremely toward the United States and the United Kingdom.
Some of the earliest works on propaganda came from those who worked in propaganda in some capacity.
These early works have gradually been supplemented with rigorous historical and communication analyses.
The two fields are the most prolific in their study of propaganda, but art historians have also added to the understanding of the visual culture of propaganda and scholars in other fields such as sociology, politics, and rhetoric have also added to the literature on propaganda.
Scholars also have devoted attention to the close relationship between propaganda and technology.
Together these efforts make for a diverse field that examines propaganda products, their creation, their dissemination, and their purpose.
Because of the ephemeral nature of most propaganda and the way various archives have or have not been available to scholars, propaganda can be a challenging topic of study.
Some works attempt to study the reception of propaganda while others focus on the creation and dissemination process.
Monographs focusing on a single country or conflict outnumber those works spanning conflicts and continents.
Several notable exceptions have comparative analysis or bring together works from multiple perspectives.
Propaganda will continue to be of vital interest to scholars and hopefully will include works from scholars with increasing language skills and access to diverse archives.

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