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Maleri, portræt af drejer P. Brønniche, E. Fischer

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Fischer, Edmund (1869-1944 ), Danish “Portrait of Turns P. Brønniche (1758-1810). 1805.” Shoulder piece, a face with neutral background. Copy by original in the museum’s own, cf. inv.no. 62-55. Oil on canvas; 64.5 x 52.5 cm. The canvas very dark; whose claw is spilled on. Without visible signature or designation. Profiled, gilded zirate frame with pearl top and buds in the corners; Gross size 74 x 62 cm. The zirate frame ramponed. Recording on the back of the windscreen: “No 24/32” “1805 d 10 F P. Brøniche Launcher in Roskilde.” “Damborg.” Iflg. Protocol is the painting a copy after painting belonging to Ms. Marie Holst, Schmeltz Foundation (P. Brønniche is her great-grandfather). This painting is later entered as a gift to Roskilde Museum, cf. inv.no. 62-55. Literature: Fang, Fanny: By Brønniche-Æt IN: Roskilde Official Journal, 1932 d. 3.2., 4.2. and 8.2. See prot. LB. June 1983. --- Iflg. www.voigtfineart.dk. 08.03.2005 mh.
The Danish Agency for Culture
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Title: Maleri, portræt af drejer P. Brønniche, E. Fischer
Description:
Fischer, Edmund (1869-1944 ), Danish “Portrait of Turns P.
Brønniche (1758-1810).
1805.
” Shoulder piece, a face with neutral background.
Copy by original in the museum’s own, cf.
inv.
no.
62-55.
Oil on canvas; 64.
5 x 52.
5 cm.
The canvas very dark; whose claw is spilled on.
Without visible signature or designation.
Profiled, gilded zirate frame with pearl top and buds in the corners; Gross size 74 x 62 cm.
The zirate frame ramponed.
Recording on the back of the windscreen: “No 24/32” “1805 d 10 F P.
Brøniche Launcher in Roskilde.
” “Damborg.
” Iflg.
Protocol is the painting a copy after painting belonging to Ms.
Marie Holst, Schmeltz Foundation (P.
Brønniche is her great-grandfather).
This painting is later entered as a gift to Roskilde Museum, cf.
inv.
no.
62-55.
Literature: Fang, Fanny: By Brønniche-Æt IN: Roskilde Official Journal, 1932 d.
3.
2.
, 4.
2.
and 8.
2.
See prot.
LB.
June 1983.
--- Iflg.
www.
voigtfineart.
dk.
08.
03.
2005 mh.

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