Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Michael Servetus’s Britain: Anatomy of a Renaissance Geographer’s Writing

View through CrossRef
Michael Servetus was a theologian, physician, astrologer, and editor. In the latter capacity he edited two editions of Ptolemy’s Geographia, to which he added some apparatus and several articles that described European countries and peoples. Following in the footsteps of medieval and Renaissance geographical writers before him, Servetus did his research less by travelling and more by reading. His “original” pieces, like the works of the authors upon whom he drew, were thus a patchwork of quotations and borrowings from earlier books. This article examines both what Servetus said about Great Britain, a place he never visited, and the nature and quality of the information that he, his predecessors, and his followers provided for their readers. Such an examination helps us understand the way a learned polymath such as Servetus worked in composing his heretical critique of the Trinity and in gaining the insights that led him to make the first European description of the circulation of blood through the lungs. Michael Servetus était théologien, médecin, astrologue et éditeur. Dans ce dernier rôle, il a révisé deux éditions de la Geographia de Ptolémée, à laquelle il a ajouté un apparat critique ainsi que plusieurs articles décrivant des pays et des peuples d’Europe. Suivant les traces des écrivains géographes du Moyen Âge et de la Renaissance qui l’ont précédé, Servetus a mené ses recherches par ses lectures bien plus que par des voyages. Ses ajouts « originaux » empruntent aux travaux de plusieurs auteurs, faisant de ses textes des assemblages de citations et d’extraits pris d’ouvrages préexistants. Cet article examine ce que Servetus dit de la Grande Bretagne, qu’il n’a jamais visitée, ainsi que la nature et la qualité des informations qu’il propose aux lecteurs, qu’elles soient de son cru ou d’autres auteurs. Cet examen nous permet de mieux comprendre comment un polymathe tel que Servetus a pu composer sa critique hétérodoxe de la Trinité et développer des idées conduisant à décrire pour la première fois en Europe le passage du sang par les poumons.
University of Toronto Libraries - UOTL
Title: Michael Servetus’s Britain: Anatomy of a Renaissance Geographer’s Writing
Description:
Michael Servetus was a theologian, physician, astrologer, and editor.
In the latter capacity he edited two editions of Ptolemy’s Geographia, to which he added some apparatus and several articles that described European countries and peoples.
Following in the footsteps of medieval and Renaissance geographical writers before him, Servetus did his research less by travelling and more by reading.
His “original” pieces, like the works of the authors upon whom he drew, were thus a patchwork of quotations and borrowings from earlier books.
This article examines both what Servetus said about Great Britain, a place he never visited, and the nature and quality of the information that he, his predecessors, and his followers provided for their readers.
Such an examination helps us understand the way a learned polymath such as Servetus worked in composing his heretical critique of the Trinity and in gaining the insights that led him to make the first European description of the circulation of blood through the lungs.
Michael Servetus était théologien, médecin, astrologue et éditeur.
Dans ce dernier rôle, il a révisé deux éditions de la Geographia de Ptolémée, à laquelle il a ajouté un apparat critique ainsi que plusieurs articles décrivant des pays et des peuples d’Europe.
Suivant les traces des écrivains géographes du Moyen Âge et de la Renaissance qui l’ont précédé, Servetus a mené ses recherches par ses lectures bien plus que par des voyages.
Ses ajouts « originaux » empruntent aux travaux de plusieurs auteurs, faisant de ses textes des assemblages de citations et d’extraits pris d’ouvrages préexistants.
Cet article examine ce que Servetus dit de la Grande Bretagne, qu’il n’a jamais visitée, ainsi que la nature et la qualité des informations qu’il propose aux lecteurs, qu’elles soient de son cru ou d’autres auteurs.
Cet examen nous permet de mieux comprendre comment un polymathe tel que Servetus a pu composer sa critique hétérodoxe de la Trinité et développer des idées conduisant à décrire pour la première fois en Europe le passage du sang par les poumons.

Related Results

Student’s Perception of Dissecting a Human Cadaver Compared to Usage of 3D Anatomy Virtual Dissection Table to Learn Gross Anatomy
Student’s Perception of Dissecting a Human Cadaver Compared to Usage of 3D Anatomy Virtual Dissection Table to Learn Gross Anatomy
Background: Limited availability of cadaver and modern discoveries has led to alternate channels to gain anatomy knowledge. Aim: To know the perception of these new sources compare...
Forewarned is forearmed: The brave new world of (Creative) Writing online
Forewarned is forearmed: The brave new world of (Creative) Writing online
Online Writing courses, including Creative Writing programs, have been delivered in Australia for more than a decade. While most providers of online writing programs offer units in...
Humanities
Humanities
James E. Côté and Anton L. Allahar, Lowering Higher Education: The Rise of Corporate Universities and the Fall of Liberal Education, reviewed by glen a. jones Daniel Coleman and S...
Recent Work in Renaissance Studies: Psychology Did Madness Have a Renaissance
Recent Work in Renaissance Studies: Psychology Did Madness Have a Renaissance
All the terms in the title of the plenary session, “Recent Work in Renaissance Studies on Psychology,” at the Renaissance Society of America's 1991 annual meeting (where this paper...
The night writer: The emergence of nocturnal travel writing
The night writer: The emergence of nocturnal travel writing
In 1762, the philosopher and writer Jean-Jacques Rousseau wrote in Emile (1979) that we are blind half our lives because of what we miss during the night. The notion that the night...
What Happened to the Renaissance in the German Academy? A Report on German “Renaissance” Institutes
What Happened to the Renaissance in the German Academy? A Report on German “Renaissance” Institutes
Where is the research on the Renaissance being done in Germany? Is it true that “European history is still firmly divided among antiquity, the Middle Ages, and the modern era,” and...
Ecclesiastical Chronotaxes of the Renaissance
Ecclesiastical Chronotaxes of the Renaissance
During the sixteenth century, confessional disputes between Catholics and Protestants became the “battlefield” for determining and shaping the reformed Christian religion. Antiquar...
As in Ovid, So in Renaissance Art
As in Ovid, So in Renaissance Art
AbstractThis essay is a prolegomenon to the general study of Ovid's relations to Renaissance art and art theory. As is well known, the Metamorphoses determined the subjects of nume...

Back to Top