Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Dylan and pity

View through CrossRef
Pity is a huge and complex human emotion; among its elements are a kind of universal pity, more specific pity for the suffering fellow-creature, and self-pity. Bob Dylan’s lyrics constitute a remarkable address to these issues, sometimes directly, sometimes indirectly, in specific contexts: the condition of American history, the plight of the immigrant, all manner of relations between the powerful and the powerless. Pity also confuses subject and object: are we in need of pity, or are we more in need of the necessity of displaying it? This article seeks to describe some of the complexities of Dylan’s work on these topics through particular attention to ‘Tryin’ to Get to Heaven’, ‘It’s Alright, Ma (I’m Only Bleeding)’, ‘I Pity the Poor Immigrant’, ‘Spanish Harlem Incident’, ‘No Time to Think’, ‘Tight Connection to my Heart’ and ‘Desolation Row’.
Title: Dylan and pity
Description:
Pity is a huge and complex human emotion; among its elements are a kind of universal pity, more specific pity for the suffering fellow-creature, and self-pity.
Bob Dylan’s lyrics constitute a remarkable address to these issues, sometimes directly, sometimes indirectly, in specific contexts: the condition of American history, the plight of the immigrant, all manner of relations between the powerful and the powerless.
Pity also confuses subject and object: are we in need of pity, or are we more in need of the necessity of displaying it? This article seeks to describe some of the complexities of Dylan’s work on these topics through particular attention to ‘Tryin’ to Get to Heaven’, ‘It’s Alright, Ma (I’m Only Bleeding)’, ‘I Pity the Poor Immigrant’, ‘Spanish Harlem Incident’, ‘No Time to Think’, ‘Tight Connection to my Heart’ and ‘Desolation Row’.

Related Results

Colloquium 4 Commentary on Arenson
Colloquium 4 Commentary on Arenson
Abstract This commentary raises questions about the moral value of feeling pity. Whereas Professor Arenson asks whether an Epicurean hedonist can rightly feel pity given that f...
Bob Dylan
Bob Dylan
Bob Dylan (born Robert Zimmerman, 1941) is the most important songwriter in the era of recorded music. He grew up in Duluth and Hibbing, Minnesota, in a middle-class Jewish family....
The Cambridge Companion to Bob Dylan
The Cambridge Companion to Bob Dylan
A towering figure in American culture and a global twentieth-century icon, Bob Dylan has been at the centre of American life for over forty years. The Cambridge Companion to Bob Dy...
Wallowing in Self-Pity
Wallowing in Self-Pity
Abstract The United States and some other Western cultures discourage adults from crying and publicly expressing pain. Metaphors for self-pity show the cultural pres...
Listening to Bob Dylan
Listening to Bob Dylan
This book presents the importance of listening to Bob Dylan’s recorded work as the essential basis for a deeper understanding and appreciation of his achievements. Here is a guide ...
"Are My Songs Literature?": A Postmodern Appraisal of Bob Dylan's American Popular Music Culture
"Are My Songs Literature?": A Postmodern Appraisal of Bob Dylan's American Popular Music Culture
The current study is a postmodern appraisal of Bob Dylan’s artistic career and vocal gestures to examine the way melody in popular music works in relation to speech and singing, th...
“Words Are but Wind”
“Words Are but Wind”
Chapter four examines proverbs and proverbial language Bob Dylan (1941–) used throughout his career as a pioneering folk artist and social justice advocate. Dylan used music to she...
THE SYNERGY OF BOB DYLAN'S REALITIES
THE SYNERGY OF BOB DYLAN'S REALITIES
The figure of poet-intellectual and musician-thinker Bob Dylan, who was awarded the Nobel Prize in Literature in 2016, has been systematically attracting the attention of researche...

Back to Top